Skip to main content

Film Friday: «The Voice of the Turtle» (1947)

This week on «Film Friday» I want to tell you a little bit about one of my favourite pictures of all time. It is a kooky little comedy, which I think is perfect to watch over the Easter weekend. This also happens to be my favourite Ronald Reagan picture.

Directed by Irving Rapper, The Voice of the Turtle (1947) opens in December 1944, as Broadway producer Ken Bartlett (Kent Smith) is ending his affair with struggling young actress Sally Middleton (Eleanor Parker), who then vows never to fall in love again. Months later, her friend, Olive Lashbrooke (Eve Arden), arranges to meet Bill Page (Ronald Reagan), a sergeant on a weekend pass, at Sally's apartment. While she is waiting, she calls for her messages and learns that an old flame, Naval Commander Ned Burling (Wayne Morris), is in town for one weekend only. Choosing the commander over the sergeant, Olive breaks her date with Bill, who eventually invites Sally to dinner at the same French restaurant that she frequented with Ken.
 
Wayne Morris, Eve Arden, Eleanor Parker and Ronald Reagan in The Voice of the Turtle.
 
While Bill and Sally are eating, Olive arrives with Ned, but quickly leaves when she spots them together. Disappointed by her night with the commander, Olive telephones Sally to question her about Bill. By the time the call finishes, Bill has fallen asleep at Sally's apartment. Because it is late and raining and difficult to find a room in the city, Sally offers Bill her couch, which he gratefully accepts. Over the weekend, Bill and Sally grow closer and he tells her that he loves her. However, she explains that she has given up on love, after which Bill leaves for an hotel.

The next morning, Olive telephones Bill at the hotel, but he does not answer since he has already left for Sally's apartment. Olive suspects that he has spent the night with Sally and hurries over to confirm her suspicions. After Bill convinces Olive that they arrived at the same time, she invites him to lunch and dinner, but he turns her down. Later, Sally returns home from a rehearsal to find her apartment filled with bouquets of flowers. When Bill asks her to marry him, she finally admits that she loves him too and they sit down to eat the dinner he has ordered from the same French restaurant they went to on their first date.
 
Ronald Reagan, Eleanor Parker and Eve Arden in The Voice of the Turtle.
 
The Voice of the Turtle began as a Broadway comedy written by English playwright John Van Druten, who had had great success in the London West End in the early 1930s. The title was taken from a verse in the Song of Solomon in the Bible, which reads, «The voice of the turtle [as in turtle dove] is heard in our land.» Produced by Alfred De Liagre Jr. and staged by Van Druten himself, The Voice of the Turtle opened at the Morosco Theatre in New York on December 8, 1943. The three-character play featured Oscar-nominee Margaret Sullavan as Sally Middleton, as aspiring young actress who has given up on love; Elliott Nugent as Bill Page, a U.S. Army Sergeant on a weekend pass; and Audrey Christie as Olive Lashbrooke, Sally's worldly friend.

Despite some controversy over the story point of a woman allowing a man she had just met to share her apartment, The Voice of the Turtle was a massive success. The New York Times called it «the most delightful comedy of the season,» while the New York Herald Tribune described it as «a romantic comedy that is at once witty, tender, and wise.» It closed on January 3, 1948 after 1,557 performances, making it one of the longest-running plays on Broadway.
 
Ronald Reagan and Eleanor Parker in publicity stills for The Voice of Turtle.

Warner Bros. purchased the screen rights to The Voice of the Turtle in 1944, although it took two years for the project to be green-lighted by studio executives. Irving Rapper, best known for the Bette Davis classic Now, Voyager (1942), was hired as director, while Charles Hoffman worked as both producer and co-writer along with Van Druten. They were charged with the task of «opening up» the original play, adding scenes that took place in a French restaurant, a dinner and the Broadway theatre where Sally is being considered for a job.
 
The studio envisioned the part of the young soldier as ideal for one of their biggest contract stars of the past decade, Ronald Reagan, recently returned from World War II service. A graduate of Eureka College, Reagan began his professional career as a sports announcer, broadcasting the baseball games of the Chicago Cubs for WHO radio in Des Moines, Iowa. In 1937, while travelling with the Cubs in California, he took a screen test that led to a seven-year contract with Warners. He was relegated to the «B film» unit for a few years, until a lead role opposite Pat O'Brien in Knute Rockne, All American (1940) made him one of the most popular young stars in Hollywood at that time. He received further critical acclaim for playing a double amputee in Kings Row (1942), but military service prevented him from capitalizing on his success.
 
Ronald Reagan as Sgt. Bill Page in The Voice of the Turtle.

Jean Arthur, Margaret Sullavan, Olivia de Havilland and Vivien Leigh were all considered for the role of Sally Middleton, but burgeoning young star Eleanor Parker was ultimately cast instead. A former waitress, Parker was signed by Warner Bros. in 1941, after being spotted by a talent scout in the audience at Pasadena Playhouse. She was quickly given strong supporting roles in important productions, finally getting her big break when she appeared opposite John Garfield in the Academy Award-nominated biopic Pride of the Marines (1945).

Initially, Reagan did not want Parker to be his co-star in The Voice of the Turtle, requesting that the studio borrow June Allyson from MGM instead. However, he changed his mind as soon as they started filming. In his autobiography, Where's the Rest of Me?, Reagan wrote: «The girl the soldier inevitably meets and romances was played by Eleanor Parker. [...] A number of new performers had come along while I was flying my air force desk and she was one of them. To me she was unknown, [but] it took me only one scene with Eleanor for me to realize I'd be lucky if I could stay even. She is one of the truly fine actresses in motion pictures
 
Eleanor Parker and Ronald Reagan as Sally and Bill in The Voice of the Turtle.
 
Veteran Broadway producer Alfred de Liagre Jr., who went to Hollywood to assist in adapting his stage hit to film, was dismayed by Jack Warner's insistence on casting Parker and Reagan, both of whom he considered miscast. As he told syndicated columnist Norman Nadel in a 1980 interview, «So we fought about it for two months, daily, and finally Jack said, 'I paid you half a million dollars to do this, and it's my privilege to louse it up if I want to.'» Unhappy with how Hollywood treated what he considered «the most enchanting romantic comedy of all time [...] a great piece of play craftsmanship,» de Liagre would largely steer clear of filmmaking until he agreed to work with Sidney Lumet on Deathtrap (1982) more than 30 years later.
 
Ronald Reagan and Eleanor Parker in a scene from The Voice of the Turtle.

The role of Olive Lashbrooke, Sally's cynical friend, was given to Eve Arden, one of Warner Bros.' newest acquisitions. Arden made her film debut in the backstage musical Song of Love (1929) and then rose in the Hollywood ranks as the wisecracking supporting character in such comedies as Stage Door (1937) and Having Wonderful Time (1938). After signing a seven-year contract with Warners in 1944, Arden was cast opposite Joan Crawford in Mildred Pierce (1945), which earned an Academy Award nomination for Best Supporting Actress.

Two male characters were added to the screen version of The Voice of the Turtle. The role of naval commander Ned Burling, Olive's old flame, was given to Wayne Morris, who had actually served in the U.S. Navy during World War II. Like many other actors at the time, including Reagan, Morris put his film career on hold to serve his country. He joined the Naval Reserve after Pearl Harbor and served as a fighter pilot abroad the USS Essex. He shot down seven Japanese planes and contributed to the sinking of five ships, which earned him four Distinguished Flying Crosses and two Air Medals. To play Broadway producer Ken Barlett, Sally's ex-lover, Warner Bros. hired Kent Smith, also a war veteran. He had served as a private in the U.S. Army Air Forces, appearing in several government training films.

Theatrical release posters for The Voice of the Turtle.

The Voice of the Turtle premiered on December 25, 1947 and it became one of the highest grossing films of the following year, earning $2,450,000 at the box office. Critical reviews were also positive. Variety called it «an infectious, fluffy mirth-maker», while Edwin Schallert of the Los Angeles Times described it as «one of the brightest comedies of the season

 
____________________________________________
SOURCES:
Eleanor Parker: Woman of a Thousand Faces by Doug McLelland (The Scarecrow Print, Inc., 2003)
Eve Arden: A Chronicle of All Film, Television, Radio and Stage Performances by David C. Tucker (McFarland & Company, Inc., 2012)

Comments

  1. I just watched this yesterday and loved it!! Eve Arden was so great. So glad Allyson wasn't in it, otherwise I would have probably never watched it.

    ReplyDelete
  2. Why was the title of this film changed to ‘One for the Book’?

    ReplyDelete

Post a Comment

Popular posts from this blog

Golden Couples: Gary Cooper & Patricia Neal

It was April 1948 when director King Vidor spotted 22-year-old Patricia Neal on the Warner Bros. studio lot. A drama graduate from Northwestern University, she had just arrived in Hollywood following a Tony Award-winning performance in Lillian Hellman's Another Part of the Forest . Impressed by Patricia's looks, Vidor approached the young actress and asked if she would be interested in doing a screen test for the female lead in his newest film, The Fountainhead (1949). Gary Cooper had already signed as the male protagonist, and the studio was then considering Lauren Bacall and Barbara Stanwyck to play his love interest.          Neal liked the script and about two months later, she met with the director for sound and photographic tests. Vidor was enthusiastic about Patricia, but her first audition was a complete disaster. Cooper was apparently watching her from off the set and he was so unimpressed by her performance that he commented, « What's that!? » He tried to con

Golden Couples: Clark Gable & Jean Harlow

  At the 3rd Academy Awards ceremony, MGM's hugely successful prison drama The Big House (1930) earned writer Frances Marion an Oscar for Best Writing. Hoping that she would be inspired to repeat that accomplishment, Irving Thalberg, head of production at Metro, sent Marion to Chicago, Illinois to research story ideas. While flicking through the pages of The Saturday Evening Post , she found an article revealing that, in a city where people distrusted the police, a small group of leading citizens met in secret to arrange their own justice for criminals. Marion took inspiration from that story and wrote The Secret Six (1931), in which Wallace Beery and Lewis Stone, stars of The Big House , play two mobsters prosecuted by a half a dozen vigilantes. Thalberg was pleased with the leading roles Marion wrote for Beery and Stone, but asked if she could also fill out one of the minor leads for Clark Gable , a tall, dark and handsome 30-year-old actor whom Metro-Goldwyn-Mayer had recen

Golden Couples: Henry Fonda & Barbara Stanwyck

In the mid- and late 1930s, screwball comedy was in vogue and practically every actress in Hollywood tried her hand at it. Barbara Stanwyck never considered herself a naturally funny person or a comedienne per se , but after delivering a heart-wrenching performance in King Vidor's Stella Dallas (1937), she decided she needed a « vacation » from emotional dramas. In her search for a role, she stumbled upon a « champagne comedy » called The Mad Miss Manton (1938), originally intended as a Katharine Hepburn vehicle. Barbara Stanwyck and Henry Fonda as Melsa and Peter in The Mad Miss Manton .   Directed by Leigh Jason from a script by Philip G. Epstein, The Mad Miss Manton begins when vivacious Park Avenue socialite Melsa Manton finds a corpse while walking her dogs in the early hours of the morning. She calls the police, but they dismiss the incident — not only because Melsa is a notorious prankster, but also because the body disappears in the meantime. Sarcastic newspaper editor

Film Friday: «Who Was That Lady?» (1960)

Theatrical release poster Directed by George Sidney , Who Was That Lady? (19 60 ) begins when che mistry p rofessor David Wilson (Tony Curtis) is caught by his wife Ann (Janet Leigh) kissing one of his female st u de nts. To stop her from divo rcing him , he a sk s for hel p from his good friend, television writer Michael Haney (Dean Mart in), who invents a crazy story that Davi d is working undercover with the FBI and kissed the student — a foreign agent — in the line of du ty. To convince Ann, Mi ke tricks Schult z (William Newel l), a prop man at the T V studio, into fabricating an FBI identification card for David and s up plying him with a g un. Ann is so t hrilled by the idea of being married to a secret agent t hat she forgives David. Meanwhile, Mike sets up a date wi th the Coogle sisters, Gloria (Barbara N ichols) and Florence ( Joi Lan sing), and takes David along , telling Ann that the girls are foreign agents. Just as Ann realizes that her h usband ha s

Christmas in Old Hollywood

The beautiful Elizabeth Taylor with an extremely cute little friend. Humphrey Bogart and Lauren Bacall with their son Stephen (early 1950s). Here they are again. What an adorable picture! Paulette Goddard looking rather uncomfortable next to her Christmas tree. Boris Karloff and Ginger Rogers at a Hollywood Christmas party in 1932. The adorable Shirley Temple chatting with Santa. Here she is again with a dolly friend. Look how cute she looks here, modeling a new Christmas dress (1935). The fur-tastic Joan Crawford. Doris Day asking us to "do not disturb until Christmas." Don't worry, Doris, we shall not. Though it's past Christmas now, so I'm sure Doris won't mind if we disturb just a little bit. Priscilla Lane looking sparkling drapped in her garlands. A VERY young Carole Lombard sitting next to her tree (1920s). Jean Harlow looking stunning as always. Janet Leigh looking extra cute unde

Films I Saw in 2020

For the past four years, I have shared with you a list of all the films I saw throughout 2016 , 2017 , 2018 and 2019 , so I thought I would continue the «tradition» and do it again in 2020. This list includes both classic and «modern» films, which make up a total of 161 titles. About three or four of these were re-watches, but I decided to include them anyway. Let me know how many from these you have seen. As always, films marked with a heart ( ❤ ) are my favorites. Sherlock Jr. (1924) | Starring Buster Keaton, Kathryn McGuire and Joe Keaton The Crowd (1928) | Starring James Murray, Eleanor Boardman and Bert Roach Young Mr. Lincoln (1939) | Starring Henry Fonda, Alice Brady and Marjorie Weaver Brief Encounter (1945) | Starring Celia Johnson, Trevor Howard and Stanley Holloway The Bells of St. Mary's (1945) | Starring Bing Crosby and Ingrid Bergman The Girl He Left Behind (1956) | Starring Tab Hunter and Natalie Wood Gidget (1959) | Starring Sandra Dee, Cliff Robertson an

Wings of Change: The Story of the First Ever Best Picture Winner

Wings was the first ever film to win the Academy Award for Best Picture. Since then, it has become one of the most influential war dramas, noted for its technical realism and spectacular air-combat sequences. This is the story of how it came to be made.   A man and his story The concept for Wings originated from a writer trying to sell one of his stories. In September 1924, Byron Morgan approached Jesse L. Lasky, vice-president of Famous Players-Lasky, a component of Paramount Pictures, proposing that the studio do an aviation film. Morgan suggested an «incident and plot» focused on the failure of the American aerial effort in World War I and the effect that the country's «aviation unpreparedness» would have in upcoming conflicts. Lasky liked the idea, and approved the project under the working title «The Menace.»   LEFT: Byron Morgan (1889-1963). RIGHT: Jesse L. Lasky (1880-1958).   During his development of the scenario with William Shepherd, a former war correspondent, Morga

80 Reasons Why I Love Classic Films (Part II)

I started this blog six years ago as a way to share my passion for classic films and Old Hollywood. I used to watch dozens of classic films every month, and every time I discovered a new star I liked I would go and watch their entire filmography. But somewhere along the way, that passion dimmed down. For instance, I watched 73 classic films in 2016, and only 10 in 2020. The other day, I found this film with Douglas Fairbanks Jr. that I had never heard of — the film is Mimi (1935), by the way — and for some reason it made me really excited about Old Hollywood again. It made me really miss the magic of that era and all the wonderful actors and actresses. And it also made me think of all the reasons why I fell in love with classic films in the first place. I came up with 80 reasons, which I thought would be fun to share with you. Most of them are just random little scenes or quirky little quotes, but put them together and they spell Old Hollywood to me. Yesterday I posted part one ; her

Top 10 Favourite Christmas Films

Christmas has always been a source of inspiration to many artists and writers. Over the years, filmmakers have adapted various Christmas stories into both movies and TV specials, which have become staples during the holiday season all around the world. Even though Christmas is my favourite holiday, I haven't watched a lot of Christmas films. Still, I thought it would be fun to rank my top 10 favourites, based on the ones that I have indeed seen. Here they are.  10. Holiday Affair (1949) Directed by Don Hartman, Holiday Affair tells the story of a young widow (Janet Leigh) torn between a boring attorney (Wendell Corey) and a romantic drifter (Robert Mitchum). She's engaged to marry the boring attorney, but her son (Gordon Gebert) likes the romantic drifter better. Who will she choose? Well, we all know who she will choose.   Holiday Affair is not by any means the greatest Christmas film of all time, but it's still a very enjoyable Yule-tide comedy to watch over the holi

The Sinatra Centennial Blogathon: Frank Sinatra & Gene Kelly

  In January 1944, MGM chief Louis B. Mayer happened to see a young crooner by the name of Frank Sinatra perform at a benefit concert for The Jewish Home for the Aged in Los Angeles. According to Nancy Sinatra, Frank's eldest daughter, Mayer was so moved by her father's soulful rendition of « Ol' Man River » that he made the decision right then and there to sign Frank to his studio. Sinatra had been on the MGM payroll once before, singing with the Tommy Dorsey Orchestra in the Eleanor Powell vehicle Ship Ahoy (1942), although it is very likely that Mayer never bothered to see that film. Now that Frank was «hot,» however, Metro made arrangements to buy half of his contract from RKO, with the final deal being signed in February of that year. Gene Kelly and Frank Sinatra in  Anchors Aweigh Being a contract player at the studio that boasted «more stars than there are in the heavens» gave Frank a sudden perspective regarding his own talents as a film performer. The «g