Skip to main content

Top 10 Favourite Best Picture Winners (1929-1969)

Throughout this month, I have decided to post a series of Oscar-related articles in anticipation to the 89th Academy Awards ceremony on February 26. To start things off, I thought I would share with you my top 10 favorite Best Picture winners from 1929 to 1969. Please bear in mind that this is my own personal opinion, which of course is limited to the films I have seen so far. 



10. The Sound of Music (1965)
Directed by Robert Wise | Starring Julie Andrews (Maria), Christopher Plummer (Captain von Trapp), Eleanor Parker (Baroness Elsa von Schraeder), Richard Haydn (Max Detweiler) and Charmian Carr (Liesl von Trapp) | 20th Century Fox | 174 minutes

Captain Von Trapp: You brought music back into the house. I had forgotten.
 
 
9. The Lost Weekend (1945)
Directed by Billy Wilder | Starring Ray Milland (Don Birnam), Jane Wyman (Helen St. James), Phillip Terry (Wick Birnam), Howard Da Silva (Nat), Doris Dowling (Gloria) and Frank Faylen («Bim» Nolan) | Paramount Pictures | 99 minutes

Don Birnam: I'm not a drinker; I'm a drunk.
 
 
8. Mrs. Miniver (1942)
Directed by William Wyler | Starring Greer Garson (Kay Miniver), Walter Pidgeon (Clem Miniver), Teresa Wright (Carol Beldon), Richard Ney (Vin Miniver), Henry Travers (Mr. Ballard) and Dame May Whitty (Lady Beldon) | Metro-Goldwyn-Mayer | 133 minutes

Kay Miniver: But in war, time is so precious to the young people.
 
 
Directed by Elia Kazan | Starring Gregory Peck (Phil Green), Dorothy McGuire (Kathy Lacey), John Garfield (Dave Goldman), Celeste Holm (Anne Dettrey), Anne Revere (Mrs. Green) and June Havoc (Elaine Wales) | 20th Century Fox | 118 minutes

Tommy Green: Why don't some people like [Jews]?
Phil Green: Well, I can't really explain it, Tommy.
 
 
6. Gone with the Wind (1939)
Directed by Victor Fleming | Starring Vivien Leigh (Scarlett O'Hara), Clark Gable (Rhett Butler), Leslie Howard (Ashley Wilkes), Olivia de Havilland (Melanie Hamilton) and Hattie McDaniel (Mammy) | Metro-Goldwyn-Mayer | 221 minutes

Scarlett O'Hara: As God as my witness, I shall never go hungry again.
 
 
5. Marty (1955)
Directed by Delbert Mann | Starring Ernest Borgnine (Marty Piletti), Betsy Blair (Clara Snyder), Joe Mantell (Angie), Esther Minciotti (Theresa Piletti) and August Ciolli (Aunt Catherine) | Hecht-Lancaster and United Artists | 90 minutes

Marty Piletti: You don't like her? That's too bad!

 
Directed by Vincente Minnelli | Starring Gene Kelly (Jerry Mulligan), Leslie Caron (Lise Bouvier), Oscar Levant (Adam Cook), Nina Foch (Milo Roberts) and Georges Guétary (Henri Baurel) | Metro-Goldwyn-Mayer | 113 minutes

Lise Bouvier: Maybe Paris has a way of making people forget.
Jerry Mulligan: Not this city. It's too real and too beautiful to let you forget anything.
 
 
3. Casablanca (1942)
Directed by Michael Curtiz | Starring Humphrey Bogart (Rick Blaine), Ingrid Bergman (Ilsa Lund), Paul Henreid (Victor Laszlo), Claude Rains (Captain Louis Renault), Sydney Greenstret (Signor Ferrari) and Peter Lorre (Signor Ugarte) | Warner Bros. | 102 minutes

Rick Blaine: Here's looking at you, kid.
 
 
Directed by William Wyler | Starring Fredric March (Al Stephenson), Myrna Loy (Milly Stephenson), Teresa Wright (Peggy Stephenson), Dana Andrews (Fred Derry) and Harold Russell (Homer Parish) | RKO Radio Pictures | 172 minutes

Al Stephenson: I should have stayed home and found out what was really going on.

 
Directed by Frank Capra | Starring Clark Gable (Peter Warne), Claudette Colbert (Ellen «Ellie» Andrews), Walter Connolly (Alexander Andrews), Roscoe Karns (Oscar Shapeley) and Jameson Thomas (King Westley) | Columbia Pictures | 105 minutes

Ellen «Ellie» Andrews: I'll stop a car and I won't use my thumb.
 
 
And there you have it. My top 10 favorite Best Picture winners from 1929 to 1969.
Did I name some of your favorites? Were you surprised by my choices?

Comments

  1. Great top ten list! An American in Paris is, to me, the most romantic film of all time and it's hard to beat It Happened One Night. I enjoy your blog and we've participated in many of the same classic film blogathons in the past. I just wanted to let you know that I'll be hosting a Franchot Tone Blogathon in April on my Franchot blog. If you want to join in, please go to:

    http://franchottone.blogspot.com/2017/02/announcing-franchot-tone-blogathon.html

    Thanks!

    ReplyDelete
  2. Only ones I haven't seen are The Lost Weekend and Marty, though my brother has both on dvd :)

    ReplyDelete

Post a Comment

Popular posts from this blog

Golden Couples: Gary Cooper & Patricia Neal

It was April 1948 when director King Vidor spotted 22-year-old Patricia Neal on the Warner Bros. studio lot. A drama graduate from Northwestern University, she had just arrived in Hollywood following a Tony Award-winning performance in Lillian Hellman's Another Part of the Forest . Impressed by Patricia's looks, Vidor approached the young actress and asked if she would be interested in doing a screen test for the female lead in his newest film, The Fountainhead (1949). Gary Cooper had already signed as the male protagonist, and the studio was then considering Lauren Bacall and Barbara Stanwyck to play his love interest.          Neal liked the script and about two months later, she met with the director for sound and photographic tests. Vidor was enthusiastic about Patricia, but her first audition was a complete disaster. Cooper was apparently watching her from off the set and he was so unimpressed by her performance that he commented, « What's that!? » He tried to con

Golden Couples: Henry Fonda & Barbara Stanwyck

In the mid- and late 1930s, screwball comedy was in vogue and practically every actress in Hollywood tried her hand at it. Barbara Stanwyck never considered herself a naturally funny person or a comedienne per se , but after delivering a heart-wrenching performance in King Vidor's Stella Dallas (1937), she decided she needed a « vacation » from emotional dramas. In her search for a role, she stumbled upon a « champagne comedy » called The Mad Miss Manton (1938), originally intended as a Katharine Hepburn vehicle. Barbara Stanwyck and Henry Fonda as Melsa and Peter in The Mad Miss Manton .   Directed by Leigh Jason from a script by Philip G. Epstein, The Mad Miss Manton begins when vivacious Park Avenue socialite Melsa Manton finds a corpse while walking her dogs in the early hours of the morning. She calls the police, but they dismiss the incident — not only because Melsa is a notorious prankster, but also because the body disappears in the meantime. Sarcastic newspaper editor

Golden Couples: Clark Gable & Jean Harlow

  At the 3rd Academy Awards ceremony, MGM's hugely successful prison drama The Big House (1930) earned writer Frances Marion an Oscar for Best Writing. Hoping that she would be inspired to repeat that accomplishment, Irving Thalberg, head of production at Metro, sent Marion to Chicago, Illinois to research story ideas. While flicking through the pages of The Saturday Evening Post , she found an article revealing that, in a city where people distrusted the police, a small group of leading citizens met in secret to arrange their own justice for criminals. Marion took inspiration from that story and wrote The Secret Six (1931), in which Wallace Beery and Lewis Stone, stars of The Big House , play two mobsters prosecuted by a half a dozen vigilantes. Thalberg was pleased with the leading roles Marion wrote for Beery and Stone, but asked if she could also fill out one of the minor leads for Clark Gable , a tall, dark and handsome 30-year-old actor whom Metro-Goldwyn-Mayer had recen

Film Friday: «Who Was That Lady?» (1960)

Theatrical release poster Directed by George Sidney , Who Was That Lady? (19 60 ) begins when che mistry p rofessor David Wilson (Tony Curtis) is caught by his wife Ann (Janet Leigh) kissing one of his female st u de nts. To stop her from divo rcing him , he a sk s for hel p from his good friend, television writer Michael Haney (Dean Mart in), who invents a crazy story that Davi d is working undercover with the FBI and kissed the student — a foreign agent — in the line of du ty. To convince Ann, Mi ke tricks Schult z (William Newel l), a prop man at the T V studio, into fabricating an FBI identification card for David and s up plying him with a g un. Ann is so t hrilled by the idea of being married to a secret agent t hat she forgives David. Meanwhile, Mike sets up a date wi th the Coogle sisters, Gloria (Barbara N ichols) and Florence ( Joi Lan sing), and takes David along , telling Ann that the girls are foreign agents. Just as Ann realizes that her h usband ha s

Christmas in Old Hollywood

The beautiful Elizabeth Taylor with an extremely cute little friend. Humphrey Bogart and Lauren Bacall with their son Stephen (early 1950s). Here they are again. What an adorable picture! Paulette Goddard looking rather uncomfortable next to her Christmas tree. Boris Karloff and Ginger Rogers at a Hollywood Christmas party in 1932. The adorable Shirley Temple chatting with Santa. Here she is again with a dolly friend. Look how cute she looks here, modeling a new Christmas dress (1935). The fur-tastic Joan Crawford. Doris Day asking us to "do not disturb until Christmas." Don't worry, Doris, we shall not. Though it's past Christmas now, so I'm sure Doris won't mind if we disturb just a little bit. Priscilla Lane looking sparkling drapped in her garlands. A VERY young Carole Lombard sitting next to her tree (1920s). Jean Harlow looking stunning as always. Janet Leigh looking extra cute unde

Films I Saw in 2020

For the past four years, I have shared with you a list of all the films I saw throughout 2016 , 2017 , 2018 and 2019 , so I thought I would continue the «tradition» and do it again in 2020. This list includes both classic and «modern» films, which make up a total of 161 titles. About three or four of these were re-watches, but I decided to include them anyway. Let me know how many from these you have seen. As always, films marked with a heart ( ❤ ) are my favorites. Sherlock Jr. (1924) | Starring Buster Keaton, Kathryn McGuire and Joe Keaton The Crowd (1928) | Starring James Murray, Eleanor Boardman and Bert Roach Young Mr. Lincoln (1939) | Starring Henry Fonda, Alice Brady and Marjorie Weaver Brief Encounter (1945) | Starring Celia Johnson, Trevor Howard and Stanley Holloway The Bells of St. Mary's (1945) | Starring Bing Crosby and Ingrid Bergman The Girl He Left Behind (1956) | Starring Tab Hunter and Natalie Wood Gidget (1959) | Starring Sandra Dee, Cliff Robertson an

Wings of Change: The Story of the First Ever Best Picture Winner

Wings was the first ever film to win the Academy Award for Best Picture. Since then, it has become one of the most influential war dramas, noted for its technical realism and spectacular air-combat sequences. This is the story of how it came to be made.   A man and his story The concept for Wings originated from a writer trying to sell one of his stories. In September 1924, Byron Morgan approached Jesse L. Lasky, vice-president of Famous Players-Lasky, a component of Paramount Pictures, proposing that the studio do an aviation film. Morgan suggested an «incident and plot» focused on the failure of the American aerial effort in World War I and the effect that the country's «aviation unpreparedness» would have in upcoming conflicts. Lasky liked the idea, and approved the project under the working title «The Menace.»   LEFT: Byron Morgan (1889-1963). RIGHT: Jesse L. Lasky (1880-1958).   During his development of the scenario with William Shepherd, a former war correspondent, Morga

80 Reasons Why I Love Classic Films (Part II)

I started this blog six years ago as a way to share my passion for classic films and Old Hollywood. I used to watch dozens of classic films every month, and every time I discovered a new star I liked I would go and watch their entire filmography. But somewhere along the way, that passion dimmed down. For instance, I watched 73 classic films in 2016, and only 10 in 2020. The other day, I found this film with Douglas Fairbanks Jr. that I had never heard of — the film is Mimi (1935), by the way — and for some reason it made me really excited about Old Hollywood again. It made me really miss the magic of that era and all the wonderful actors and actresses. And it also made me think of all the reasons why I fell in love with classic films in the first place. I came up with 80 reasons, which I thought would be fun to share with you. Most of them are just random little scenes or quirky little quotes, but put them together and they spell Old Hollywood to me. Yesterday I posted part one ; her

Top 10 Favourite Christmas Films

Christmas has always been a source of inspiration to many artists and writers. Over the years, filmmakers have adapted various Christmas stories into both movies and TV specials, which have become staples during the holiday season all around the world. Even though Christmas is my favourite holiday, I haven't watched a lot of Christmas films. Still, I thought it would be fun to rank my top 10 favourites, based on the ones that I have indeed seen. Here they are.  10. Holiday Affair (1949) Directed by Don Hartman, Holiday Affair tells the story of a young widow (Janet Leigh) torn between a boring attorney (Wendell Corey) and a romantic drifter (Robert Mitchum). She's engaged to marry the boring attorney, but her son (Gordon Gebert) likes the romantic drifter better. Who will she choose? Well, we all know who she will choose.   Holiday Affair is not by any means the greatest Christmas film of all time, but it's still a very enjoyable Yule-tide comedy to watch over the holi

The Sinatra Centennial Blogathon: Frank Sinatra & Gene Kelly

  In January 1944, MGM chief Louis B. Mayer happened to see a young crooner by the name of Frank Sinatra perform at a benefit concert for The Jewish Home for the Aged in Los Angeles. According to Nancy Sinatra, Frank's eldest daughter, Mayer was so moved by her father's soulful rendition of « Ol' Man River » that he made the decision right then and there to sign Frank to his studio. Sinatra had been on the MGM payroll once before, singing with the Tommy Dorsey Orchestra in the Eleanor Powell vehicle Ship Ahoy (1942), although it is very likely that Mayer never bothered to see that film. Now that Frank was «hot,» however, Metro made arrangements to buy half of his contract from RKO, with the final deal being signed in February of that year. Gene Kelly and Frank Sinatra in  Anchors Aweigh Being a contract player at the studio that boasted «more stars than there are in the heavens» gave Frank a sudden perspective regarding his own talents as a film performer. The «g