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The Marathon Stars Blogathon: Seven Days of Ronald Reagan

When most people hear the name Ronald Reagan, they immeditately think of the man who served as 40th President of the United States between 1981 and 1989. They might perhaps recall his «Reaganomics,» his fierce war on drugs, his staunch anti-communist stance and even that one time when he publicly challenged Soviet leader Mikhail Gorbachev to tear down the Berlin Wall. However, for someone like myself — a classic film fan who has no particular interest in political affairs — Ronald Reagan is simply a charming actor who enjoyed a steady Hollywood career between 1937 and 1964, impressing audiences with his «good looks, vitality and total naturalness.» 

The first film I ever saw with Ronnie (yes, I call him Ronnie) was Dark Victory (1939), an excellent Bette Davis vehicle directed by the great Edmund Goulding. Then I saw him in a cute little picture called Brother Rat (1938), in which he appeared alongside the first Mrs. Ronald Reagan, the lovely Jane Wyman. After that, I saw him in Storm Warning (1951), a gritty film noir co-starring two of my favorite leading ladies, Ginger Rogers and Doris Day. In between, I also came across a wonderful series of blooper reels produced by Warner Bros. Club for their annual dinner every year from 1935 to 1949. Ronnie appears in a short scene in the 1941 compilation and in quite a few in the 1942 montage, which I have seen countless times already (that «the son of bitch drowned» line gets me every time), as well as in the 1946 and 1947 reels. Naturally, for the purposes of this blogathon, I will not write about either Dark Victory, Brother Rat or Storm Warning. Instead, I have selected seven of Ronnie's other pictures from various genres to make my viewing (and hopefully your reading) more interesting.

1. Knute Rockne, All American (1940)
Biography / Sports | Directed by Lloyd Bacon | With Pat O'Brien, Gale Page, Donald Crisp and Albert Bassermann | Warner Bros. | 98 minutes

Pat O'Brien and Ronald Reagan as Knute Rockne
and George Gipp in Knute Rockne, All American
Knute Rockne, All American follows the true life story of Knute Rockne (Pat O'Brien), a Norwegian-born football coach at the University of Norte Dame who revolutionized the game before his tragic death in a plane crash in 1931. In an extraordinary career that spanned the 1920s, Rockne led the «Fighting Irish» of Notre Dame to 105 victories, 12 losses, five ties and three national championships. 

Reagan played the supporting role of George «The Gipper» Gipp, a talented athlete who casually wondered onto Rockne's practice field one day and later proved to be an essential addition to the team. Two weeks after being selected to Walter Camp's All-American team, Gipp contracted pneumonia and soon died of a related infection. Gipp's encouraging speech to his coach right before his death eventually made him almost as legendary as Rockne himself: «Someday when the team is up against it and the breaks are beating the boys, ask them to go in there with all they've got and win just one for the Gipper. I don't know where I'll be then, but I'll know about it and I'll be happy.»

Ronald Reagan as George Gipp
A self-confessed football afficionado, Reagan had always been fascinated with Knute Rockne, especially his father-son relationship with George Gipp. Over lunch in the Warner Bros. commissary one day, he began working on a script for a film based on Rockne's life, envisioning himself as the Gipper. He haunted every office on the lot for months, telling his idea to anyone who would listen, until he heard that the studio was in fact going to make a film about the Notre Dame coach. «When I asked some friends how this had happened they told me I talked too much, that it was a good idea so Warners bought the rights to Rockne's life story,» Reagan recalled. 

The studio considered a number of other young actors to play, including William Holden and Dennis Morgan. When Reagan asked Hal B. Wallis for a shot at the role, the producer turned him down, arguing that he «didn't look like the greatest football player of our time.» Reagan abruptly left Wallis's office and returned shortly with several photos of himself in his college football uniform. «Would it suprise you that I'm five pounds heavier than George Gipp when he played at Notre Dame?» he told Wallis. After closely examining the pictures, the producer finally agreed to give him a screen test. Pat O'Brien volunteered to play Rockne in the test and the following day, Reagan was informed that he had won the part. According to Reagan, O'Brien lobbied with Wallis on his behalf, a gesture for which he was always grateful.

Pat O'Brien and Ronald Reagan
Knute Rockne, All American premiered at the University of Notre Dame on November 5, 1940 to excellent reviews from critics. Bosley Crowther of The New York Times called it «one of the best pictures for boys in years,» while Variety described it as «one of the best biographical picturizations ever turned out.» Reagan, who played all his football sequences himself, gripped the hearts of America in Gipper's emotional deathbed scene. Decades later, «Win One for the Gipper» would become a popular motto of his political campaigns.

Until he got the part of George Gipp, Reagan was, in his own words, «the Errol Flynn of the B pictures,» but with the success of Knute Rockne, All American he finally established himself in A films, winning official studio designation as a star.

Romantic comedy | Directed by Curtis Bernhardt | With Priscilla Lane, Jeffrey Lynn and May Robson | Warner Bros.

Million Dollar Baby begins when aging European heiress Cornelia Wheelwright (May Robson) discovers that her large fortune was the result of her father having defrauded his former business partner, a man by the name of Fortune McAllister. Determined to make things right, Cornelia asks young attorney James Amory (Jeffrey Lynn) to seek out McAllister's only living relative, granddaughter Pamela (Priscilla Lane). Cornelia plans to give her a million dollars, but before she does, she takes a room in Pam's boarding house to find out what kind of a girl she is. Soon, Cornelia is embroiled in her love life too, as Pam tries to decide between her struggling musician boyfriend, Peter Rowan (Ronald Reagan), and the handsome James.

Ronald Reagan and Priscilla Lane
Reagan enjoyed making Million Dollar Baby and was especially pleased to be working with Priscilla Lane and the great May Robson. However, he found his role as a classical pianist rather challenging, as he struggled to learn how to mimic the moves of a real piano player in a way that was believable. "For two weeks I went to the music department every day and spent hours at a dummy piano, following the hand movements of a pianist at a real piano playing Chopin, and all the music the picture called for," Reagan later recalled. "A lot of acting is imitation anyway, and I became pretty good as long as the piano remained silent. For a while there I almost convinced myself I could play."

Million Dollar Baby was not a success upon its opening at the Strand Theatre in New York on May 31, 1941. In his review for The New York Times, Bosley Crowther wrote that the film "seems to be put together like a prefabricated house, strictly according to blueprint, with each piece turned out of a mold. It is one of the most formula-made pictures ever to come along, and smells of the story conference as a hospital smells of antiseptics [...] The dialogue is sprightly, it's true, and larded with glib wisecracks. Yet the comedy is much too pat and suspiciously familiar." Despite its formulaic plot, Million Dollar Baby is a thoroughly enjoyable film and Ronald Reagan delivers a most endearing performance.

#3: KINGS ROW (1942)
Historical drama | Directed by Sam Wood | With Ann Sheridan, Robert Cummings and Betty Field | Warner Bros.
Ronald Reagan and Robert Cummings
Written by Casey Robinson, who also adapted Dark Victory, Kings Row revolves around five young people living in a small American town at the turn of the 20th century. There is Parris Mitchell (Robert Cummings), a dedicated young doctor; Cassandra Tower (Betty Field), the misunderstood daughter of the creepy Dr. Alexander Tower (Claude Rains); Louise Gordon (Nancy Coleman), the daughter of the sadistic town physician Dr. Henry Gordon (Charles Coburn); Randy Monaghan (Ann Sheridan), a tomboy whose father is a railroad worker; and Drake McHugh (Ronald Reagan), a wealthy orphan and Parris's best friend.

Just as in Knute Rockne, All American, Reagan's key scene in Kings Row was played in bed. After finding that his trust fund has been stolen by a dishonest bank official, Drake is forced to work in the railroad yards, where his legs are accidentally crushed by a boxcar. He is immediately taken to the hospital and Dr. Gordon is called in to assist him. Gordon despises Drake for romancing his daughter Louise and decides to punish him by amputating both of his legs. When Drake awakens from the surgery and realizes that his legs are missing, he cries out in shock and horror, "Where's the rest of me?"

Ann Sheridan and Ronald Reagan
Reagan knew that this tragic scene would be the hardest he had ever had to play. He rehearsed repeatedly by himself, consulting various surgeons and disabled people, until he realized that, as an actor, he would have to find his own way to interpret the scene. When time came for filming, he whispered to Sam Wood, "No rehearsal just shoot it." The director called "Action!" and Reagan said his heartbreaking line while reaching with his hands to feel the covers where his legs should have been, his face marked by both helplessness and despair. His delivery was so effective that Wood decided that there was no need for a retake. "I realized I had passed one of the biggest milestones of my career," Reagan later recalled.

Lobby card for Kings Row
Kings Row was based on the best-selling novel by Henry Bellaman, which was initally considered too controversial to film because it dealt of themes of incest, nymphomania, euthanasia and homosexuality. Luckily, Robinson was able to eliminate these "red flags" and write a script that pleased the Breen Office without sacrificing the integrity of the story's troubled message. Upon its premiere on February 2, 1942 at the Astor Theatre in New York, Kings Row was a great success among audiences and critics alike, though the acidic Bosley Crowther notoriously panned the film in his review for The New York Times. According to Crowther, the picture "turgidly unfolds on the screen" and "is one of bulkiest blunders to come out of Hollywood in some time." At the 15th Academy Awards, Kings Row received nominations for Best Picture, Best Director and Best Cinematography (Black and White).

Kings Row was undoubtedly Reagan's finest hour and it elevated him to the degree of stardom he had dreamed of when he had arrived in Hollywood four years earlier. For the first (and only) time in his career there was talk that he might win an Academy Award. He did not get an Oscar, but even before the film was released, Warner Bros. renewed his contract for seven more years at a considerable increase in salary, anticipating the array of possibilities that a picture like this could open for him. Although Reagan was propelled into the top rank stars after his acclaimed performance in Kings Row, World War II unabled him to capitalize on his succes.

World War II action-adventure | Directed by Raoul Walsh | With Errol Flynn and Raymond Massey | Warner Bros.

Ronald Reagan and Errol Flynn
Directed by the legendary Raoul Walsh, Desperate Journey follows five of the surviving crew of a downed RAF bomber as they struggle to make their way across Nazi Germany, sabotaging and gathering intelligence information. The multinational crew of the Flying Fortress D-for-Danny symbolizes the Allied effort with Australian Flight Lieutenant Terrence Forbes (Errol Flynn); American flying officer Johnny Hammond (Ronald Reagan); Scottish Flight Sergeant Kirk Edwards (Alan Hale); Canadian flying officer Jed Forrest (Arthur Kennedy); and young Englishman Lloyd Hollis (Ronald Sinclair).

As in Knute Rockne, All American and Kings Row, the showcase scene in Desperate Journey belongs to Reagan. When the airmen are captured by the Germans, the imperious Gestapo Major Otto Baumeister (Raymond Massey) interviews Johnny to learn information about their bomber's technology. Johnny plays to the major's arrogance and outwits him by making up names for airplane parts, such as "thermacockle" and "dermodyne," right before knocking him unconscious. This enables Forbes to subdue the other German soldiers, allowing the men to search Baumeister's office and find documentation showing a hidden Messerschmitt aircraft factory that could determine the entire outcome of the air war.

Reagan, Flynn and Kennedy
In his early days in Hollywood, Reagan referred to himself as "the Errol Flynn of the B pictures," but in Desperate Journey the two men shared top billing. It was actually Flynn who asked to have Reagan as his co-star in the film, as he felt the actor's personality complemented his own. However, Flynn sulked when he was not given the stand-out interrogation scene with Massey and lobbied intensely to get it, much to Reagan's chagrin. Despite a heated argument with Walsh, producer Hal B. Wallis was adamant that the scene be shot exactly as written. Nevertheless, the two stars became friends during filming and after the production wrapped, Flynn invited Reagan to his Mulholland Farm for cocktails and dinners.

Ronald Reagan on the set
Desperate Journey opened at the Stand Theatre in New York on September 25, 1942 to generally poor reviews from critics. Bosley Crowther of The New York Times described the film as "an action melodrama of wildest stripe, deprived of the intensity its subject should have by the bravado of its story and characters." Errol Flynn's appeal, increased by his ongoing rape trial, contributed to the film's popularity at the box-office and Desperate Journey went on to gross $2 million for Warner Bros. At the 15 Academy Awards, Byron Haskin and Nathan Levinson received a nomination for Best Special Effects.

There were about fourteen days of filming left of Desperate Journey when Reagan received a letter from the War Department ordering him to report for active duty to Fort Mason, California. A lot of rescheduling took place to get his final scenes on film, with long shots and shots of his back saved for a double after he was gone. As a second lieutenant in the United States Army Cavalry Reserve, Reagan was assigned to the First Motion Picture Unit at the Hal Roach Studio in Culver City, where he joined several other actors, writers, directors and film technicians to work on propaganda war pictures. Unfortunately, Reagan never regained his "stardom" after World War II.

Romantic comedy | Directed by Irving Rapper | With Eleanor Parker, Eve Arden and Wayne Morris | Warner Bros.

A sanitized version of John Van Druten's wartime Broadway hit, The Voice of the Turtle tells the story of Sally Middleton (Eleanor Parker), a struggling young actress who decides to give up romance after her producer boyfriend, Ken Bartlett (Kent Smith), ends their relationship. After her worldly friend Olive (Eve Arden) stands up Bill Page (Ronald Reagan), a sergeant on a weekend furlough, to go out with her old Naval Commander boyfriend Ned Burling (Wayne Morris), Sally agrees to a date with the soldier. When Bill has trouble getting a hotel, he ends up spending the weekend at Sally's apartment. Despite her vow never to become involved again, Sally and Bill inevitably fall in love, as the heavy winter rains give way to a sunshiny spring.

Reagan and Parker in a publicity still
Reagan was not the first choice for the male lead in The Voice of the Turtle (Cary Grant was), but he was actually quite perfect for the role. Since he was playing a sergeant, his military image brought an authenticity to the film, not to mention his "ingratiating naiveté," which was not characteristic of Grant. Although they had never met, Reagan was delighted to be working with Eleanor Parker, who had been signed to Warner Bros. in 1941, at the tender age of 18. Ads for the film called the new team of Reagan and Parker "A woo-some two-some!"

The girl the soldier inevitably meets and romances was played by Eleanor Parker [...] A number of new performers had come along while I was flying my air force desk and she was one of them. To me she was unknown, and I wanted the studio to borrow June Allyson from MGM. It took only one scene with Eleanor for me to realize I'd be lucky if I could stay even. She is one of the truly fine actresses in motion pictures.
(Ronald Reagan)

One of the best scenes in the film requires Reagan to help Parker with the zipper on the back of her dress. The zipper refuses to cooperate and his attempt at getting it unstuck using pliers causes the dress to fall to the floor, leaving an embarrassed Parker in her slip, while the impish Reagan, looking mildly apologetic, clearly enjoys the view. It is also up to Reagan to solve the mystery of title when he recites a Biblical quote taken from the Song of Solomon: "The winter is past and the voice of the turtle is heard in our land" — he quickly explains, "Turtle doves."

Poster for The Voice of the Turtle
The Voice of the Turtle opened at Warner Theatre in New York on December 25, 1947 to excellent reviews from critics. Thomas M. Pryor of The New York Times considered that the film was "in many ways much more satisfying than the John Van Druten comedy," adding, "The Voice of the Turtle is, in short, a very pleasant entertainment and proof sufficient that Hollywood can, when it wills, do anything as well as the theatre can and, perhaps, even somewhat better." Edwin Schallert from the Los Angeles Times enthusiastically described it as "one of the brightest comedies of the season." For their part, Variety called it "an infectious, fluffy mirth-maker with sturdy box-office prospects."

#6: THE HASTY HEART (1949)
World War II action | Directed by Vincent Sherman | With Patricia Neal and Richard Todd | Warner Bros.

Set against the background of battle-torn Burma, The Hasty Heart tells the story of several multinational wounded soldiers, including an American named Yank (Ronald Reagan), watched over by a beautiful Canadian nurse, Sister Margaret Parker (Patricia Neal). One day, a young Scottish soldier, Corporal Lachlan MacLachlan (Richard Todd) is assigned to their ward. Lachie, as he is called by the men, has lost a kidney and it is likely he will not much longer with only one remaining. Although he initially refuses to befriend the soldiers, he eventually comes around and even falls in love with Margaret, who later accepts his marriage proposal. When Lachie learns the truth about his condition, however, he becomes angry and hostile again, fearing that the men in the ward have been giving him sympathy and that Margaret agreed to marry him out of pity. She explains to him "that there is pity in every woman's love" and that if he leaves, he faces dying alone. In the end, love and friendship prevail over anger and bitterness. 

Reagan, Neal and Todd in a publicity still
Reagan spent four months in England filming The Hasty Heart, during Britain's worst winter in more than twenty years. Based on the play of the same name by John Patrick, this was the first picture to be shot entirely at the Associated British Pictures Corporation (ABPC) studios at Elstree since its rebuilding; the facility had been a camouflage headquarters during World War II. Warner Bros. decided to make the film in England because of post-war rules dictating that money earned by American pictures could not be taken out of England, but could be used in productions filmed there.

According to director Vincent Sherman, "The relationship between Pat and Todd and Reagan could not have been better. We all loved and respected each other and stood up to the bitter cold of that winter." In England, the movie studios did not operate on Saturdays, so the cast was able to relax and prepare over the weekends. When they were not needed on set, Reagan and Neal were "good copy." Neal would later write of this time, "Fortunately, we got along well enough to choose each other's company even when we were not working. We would have dinner and even go dancing at some of the local dance halls. [...] Ronnie was a delightful and interesting companion." While Neal was in England, her friend Helen Morton entrusted her English suitor, Hamish Thomson, to her. On an outing with Neal and Reagan, Thomson asked Reagan what he would like to be more than anything else in the world. Reagan laughingly replied, "The president of the United States."

Ronald Reagan and Richard Todd
The Hasty Heart opened on December 2, 1949 to generally positive reviews from critics. Bosley Crowther of The New York Times wrote, "Out of John Patrick's somewhat limited but eminently moving play [...] Warner Brothers has fashioned an equally winning and poignant film." Variety considered that the original play "has grown in range of feeling on the screen" and praised the principal cast, especially Richard Todd, who went on to receive an Academy Award nomination for Best Actor for his performance in the film. Apparently, Jack Warner was so impressed with Reagan and Neal's interaction in The Hasty Heart that he contemplated pairing them in another picture right away. Unfortunately, there was to be no other film that the two would do together.

Biography | Directed by Lewis Seiler | With Doris Day and Frank Lovejoy | Warner Bros.
The Winning Team stars Ronald Reagan as Grover Cleveland Alexander, a telephone line repairman who rises to rises to become a leading baseball pitcher. An accident while playing baseball as a young man has caused him to suffer from double vision and the results of the injury rise unepectedly. After serving in World War I and at the peak of his baseball career, he begins suffering from epileptic seizures and a doctor suggests he quit baseball and live a quiet life with his wife Aimee (Doris Day). Grover, however, ignores the advice and refuses to tell anyone that anything is wrong. Soon, his playing is affected and there are rumors that he has a drinking problem. After his wife leaves him, Grover really becomes an alcoholic and ends up working at a carnival sideshow. Luckily, Aimee learns of her husband's epilepsy just in time to help him rise back to the top of the game.

Reagan as Alexander in a publicity still
As mentioned above, Reagan was an avid sports fan. He was a member of the Eureka College football team and worked as a radio announcer for the Chicago Cubs (where Alexander played between 1918 and 1926) before entering the film industry in 1937. A few years earlier, Reagan had begged Jack Warner to let him star as pitcher Monty Stratton in The Stratton Story (1949), but the mogul insisted that audiences did not want to see pictures about "cripples." After that film, starring James Stewart, became a success, Warner agreed to make The Winning Team with Reagan in the lead.

Although Reagan still looked youthful at 41, and while Alexander is called "the old man of baseball" at the film's climatic 1926 World Series, Reagan was sadly too old to play Alexander in his prime, especially at the beginning of the picture when he is supposed to be a "young man" repairing telephone lines. Nevertheless, he dedicated himself completely to the role. For three weeks before filming commenced in mid-December 1951, he trained with Jerry Priddy of the Detroit Tigers, Bob Lemon of the Cleveland Indians and Arnold "Jigger" Statz, a contemporary of Alexander. As Reagan later recalled, they taught him "the difference between throwing from the mound and just throwing."

Ronald Reagan and Doris Day
The Winning Team premiered on June 7 in Springfield, Missouri, before opening at the Mayfair Theatre in New York on June 20, 1952. Although popular at the box-office, critical reviews were generally mixed. The Hollywood Reporter called it "a moving semi-biography of a man," adding that "Reagan is excellent as Alex [and] Miss Day gives her finest dramatic performance to date, playing Aimee with sensitivity and understanding." In contrast, the New York Herald Tribune wrote, "Reagan's performance of Alexander consists of being bland or troubled according to the turns of the plot, plus imitating a pitcher's windup on many occasions. Miss Day is a straight and narrow version of a fretful but loving wife."

The Winning Team was the last of 40 films Reagan made under contract to Warner Bros., his employer for 15 years. He appeared in only eight more pictures before ending his Hollywood career in 1964, including the World War II drama Hellcats for the Navy (1957), co-starring his second wife, Nancy Davis. Along with The Voice of the Turtle and The Hasty Heart, The Winning Team was one of the post-war pictures Reagan was most proud of.

After seven days of discovering Ronald Reagan, I can truly call myself his fan. My favorite out of the seven films I watched for this blogathon is definitely The Voice of the Turtle. It is such a lovely film. Ronnie and Eleanor Parker have amazing chemistry and Eve Arden, with her sardonic inputs, is a great addition to the picture. My second favorite is Kings Row. Ronnie is flawless in it; he absolutely deserved an Oscar (at least a nomination) for it. The scene when he screams "Where's the rest of me?" just breaks your heart into a million pieces. I also really liked Million Dollar Baby and Desperate Journey. Ronald Reagan may not have been the finest actor in the world, but he was still a very skilled performer and a terribly charming man.

This is contribution to The Marathon Blogathon hosted by In the Good Old Days of Classic Hollywood and The Wonderful World of Cinema. To view all entries, click HERE.

An American Life: The Autobiography by Ronald Reagan (1990) | Doris Day by Eric Braun (2004) | Eleanor Parker: Woman of a Thousand Faces: A Bio-Bibliography and Filmography by Doug McClelland (2003) | Errol Flynn: The Life and Career by Thomas McNulty (2004) | Eve Arden: A Chronicle of All Film, Television, Radio and Stage Performances by David C. Tucker (2012) | Exit With Honor: The Life and Presidency of Ronald Reagan by William E. Pemberton (1998) | Patricia Neal: An Unquiet Life by Stephen Michael Shearer (2006) | Ronald Reagan: A Biography by J. David Woodard (2012) | Ronald Reagan: From Sports to Movies to Politics by Libby Hughes (2005) | Ronald Reagan in Hollywood: Movies and Politics by Stephen Vaughn (1994) | The President's Ladies: Jane Wyman and Nancy Davis by Bernard K. Dick (2014) | TCMDb article for Desperate Journey | TCMDb article for Million Dollar Baby | TCMDb article for The Winning Team | The New York Times review for Desperate Journey | The New York Times review for Kings Row | The New York Times review for Million Dollar Baby | The New York Times review for The Hasty Heart | The New York Times review for The Voice of the Turtle | Variety review for The Hasty Heart


  1. That was excellent! I really loved the little trivia you gave us for each films, it added a lot to the lot. It's true that Reagan is more remembered as a politician, but let's not forget his "first life". I've seen only one of his films: Santa Fe Trail. A Olivia de Havilland/Errol Flynn's film directed by Michael Curtiz. It was ok, but those you reviewed in your article look more interesting. I should like Desperate Journey, because I've enjoyed every Raoul Walsh's films that I've seen so far.
    Thanks so much for your participation to the blogathon. Don't forget to read my entry!

    1. Aw, thank you so much, Virginie. I'm glad you enjoyed reading it. :)

      "Santa Fé Trail" was actually one of the films I planned on watching for this blogathon, but then I ended up not seeing it. I'm definitely going to be watching it in the future, though. "Desperate Journey" is really good. If you're interested in seeing more of the films I wrote about, I also reccommend "The Voice of the Turtle" and "Kings Row."

  2. I really enjoyed reading this- especially after Nancy Reagan's recent death- Ronald Reagan had such an amazing life and he led a diverse life wearing many labels- actor, govenor, president and even more- I hope to watch one of these films in the near future

    1. Thank you for reading. :)
      Like I said to Virginie, I recommend "The Voice of the Turtle" and "Kings Row."

  3. I've never seen a film starring Reagan - maybe I only caught him in bit parts. I added The Voice of the Turtle and King's Row to my watchlist thanks to your enthusiastic reviews!
    Don't forget to read my contribution to the blogathon! :)

  4. Great post! The only Reagan film I've seen is The Hasty Heart; I was surprised at how much I liked it. Thanks to this article I know where to start with more of his movies :)


  5. Very interesting. I think I've only seen him in Dark Victory and Santa Fe Trail, but would definitely like to see Kings Row and Desperate Journey!

  6. Another beautifully written post, Catia. Of the films you reviewed, I have seen three (including the infamous Kings Row), plus a handful of others. I must say I am not a fan of Reagan's acting. I was just telling my hubby the other night--after viewing This is the Army, which also stars George Murphy--that Reagan is the William Shatner of his generation, except without the cute comeback. Nevertheless, your post makes me want to give him another try. The Voice of the Turtle looks particularly interesting.


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To celebrate Natalie Wood's birthday, this week on "Film Friday" I'm bringing you one of my favorite films of hers, which also happens to be the first film I ever saw with her. Original release poster by Bill Gold Directed by Elia Kazan, Splendor in the Grass (1961) tells the story of Wilma "Deanie" Loomis (Natalie Wood) and Bud Stamper (Warren Beatty), two young lovers living in a small Kansas town in the late 1920s. Deanie's mother (Audrey Christie) is a domineering woman who boasts of her aversion to men and warns her daughter that nice girls do not have sexual feelings. Bud's father, Ace (Pat Hingle), an arrogant self-made millionaire, has "all his hopes pinned" on his son and tells him to forget marriage until he graduates from Yale. Unable to consummate their love, the confused and frustrated youngsters end their relationship. After Bud becomes sexually involved with Juanita Howard (Jan Norris), the most permissive girl in

Golden Couples: Tyrone Power & Loretta Young

« Sweethearts of the Silver Screen » In 1936, after appearing in a Broadway play called St. Joan , a 22-year-old Tyrone Power was approached by 20th Century Fox and offered a screen test. His first film at the studio was Girls' Dormitory (1936), starring Herbert Marshall and Ruth Chatterton. Although his appearance in the film was very brief, he was a sensation and Fox was invaded by hundreds of fan letters. Legend goes that columnist Hedda Hopper even stayed for a second showing of the film to find out who that handsome young man was. In Ladies In Love After Girls' Dormitory , Ty was given a bigger chance to shine in the romantic comedy Ladies in Love (1936) , starring Janet Gaynor, Constance Bennett and 23-year-old beauty Loretta Young. In the film, Loretta plays a young peasant called Susie, who falls madly in love with Tyrone's character, Count Karl Lanyi. They were such a success that Daryl F. Zanuck wasted no time in pairing them again. Their ne

Film Friday: «Heaven Knows, Mr. Allison » (1957)

In honor of Deborah Kerr's 95th birthday, which is today, this week on «Film Friday» I bring you what is perhaps one of her best remembered pictures. This is one of my personal favorites of hers and also the film that made me a Robert Mitchum fan. Theatrical release poster Directed by John Huston, Heaven Knows, Mr. Allison (1957) begins when U nited S tates Marine Corporal Allison (Robert Mitchum) finds himself stranded on a deserted South Pacific island in 1944. He finds an abandoned settlement and a chapel with one occupant, Sister Angela (Deborah Kerr), an Irish Catholic novice nun who has not yet taken her final vows. She herself has only landed there a few days before with Father Philips, who has since died. Despite their extreme differences in backgrounds and outlooks, their are respectful of each other's vocation and soon form a close bond. For a while, Allison and Sister Angela have the bountiful island completely to themselves, but t hen a detachment of Japanes

The 2nd Wonderful Grace Kelly Blogathon | Grace & Rainier: A Royal Romance

  By early 1955, Grace Kelly was at the peak of her Hollywood career. Born into a wealthy and influential family from Philadelphia, Pennsylvania, Grace became interested in acting at a very young age, appearing in a local play when she was 10 years old. After her education in elite private schools, she moved to New York and got accepted into the prestigious American Academy of Dramatic Arts, whose famous alumni included Spencer Tracy, William Powell and Rosalind Russell. In November 1949, Grace made her Broadway debut opposite Raymond Massey in a revival of August Strindberg's play The Father . The following year, director Delbert Mann cast Grace as the title character in a television adaptation of the novel Bethel Merriday by Sinclair Lewis, which led to further work on the small screen. Grace's success on television soon brought her her first two motion picture assignments: Henry H athway's Fourteen Hours (1951) and Fred Zinnemann's High Noon (1952). Grace Ke