Skip to main content

Film Friday: "Random Harvest" (1942)

This week on "Film Friday", I bring one of the most romantic films of all time and a personal favorite of mine. It's a proper tearjerker this one.

Theatrical release poster
Directed by Mervyn LeRoy, Random Harvest tells the story of Charles Rainier (Ronald Colman), a British officer confined to an asylum in the English countryside under the name of "John Smith", following a gas attack in the trenches during the First World War, which left him shell shocked and amnesiac. With the jubilation of Armistice Day, the asylum is left unguarded and he is able to escape. When he arrives in town, he meets a vivacious showgirl called Paula Ridgeway (Greer Garson), who nicknames him "Smithy" and nurses him back to health. The two soon fall in love and marry, settling in a cozy little cottage in the country where they live in blissful happiness for a few years.

On a business trip to Liverpool, Smithy is hit by a taxicab and his early memory is restored, but his happy years with Paula are forgotten. Although confused, Charles returns to his estate in London and begins managing the family business. He thrives as the "industrial prince of England", but he is haunted by his missing past and a naggish loneliness he does not understand. Hoping to extinguish that feeling, he decides to marry young Kitty Chilcet (Susan Peters), a close friend. However, when she realizes Charles is still in love with someone else, she breaks off the engagement. Meanwhile, Paula has been relentlessly looking for her Smithy. After seeing a picture of Charles in the newspaper, she manages to become his secretary, and later his wife, hoping that her presence will somehow make him remember her. After many lonely and frustating years, her dream is finally realized at their former cottage, surrounded by beautiful flowering cherry trees.

Paula: I've run after from the very beginning, you know I have. I've never let you out of my sight ever since I first saw you in that little shop.
Smithy: Never do it, Paula. Never leave me out of your sight. Never again.


Following the success of Goodbye, Mr. Chips (1939), also based in a novel by James Hilton, MGM producer Sidney Franklin jumped at the chance to buy the rights to Random Harvest as soon as it came out. Hoping to recreate the success they had had with Waterloo Bridge (1940), Franklin immediately assigned Mervyn LeRoy to the director's chair and production began in early 1942.

Garson and LeRoy (center) behind the scenes
For the role of the leading lady, Franklin and LeRoy had no doubts as to who they should cast: the lovely "Mrs. Miniver" herself, Greer Garson. She was overjoyed with this new screen assignment, especially since the film would reunite her with the author that had made her a star and team her with Ronald Colman, the screen idol of her youth.

One reason I found Paula so interesting to play was that I believed in her. She was as muti-faceted as most human beings are [...] But more important even than the variety that gave color to the role was the fact that it was a sensitively written study of a woman's heart. Fidelity to human nature in such a story is more important to any thoughtful player than oportunities for showmanship.
(Greer Garson)
 
Garson and Colman in a publicity still
The role of Charles Rainier/Smithy was initially planned for Spencer Tracy, but when Franklin and LeRoy found out that Ronald Colman was available, they didn't waste the chance to cast him in the film. Besides, he too had previously appeared in another screen classic based on a James Hilton novel, Lost Horizon (1937), directed by Frank Capra.

Colman's own life and career remarkably paralelled the one of his character in Random Harvest. Like Charles, Colman too was a World War I veteran. He enlisted in London Scottish Regiment in 1909 and served in the Western Front, where he survived the bloody Battle of Ypres, only to have his ankle shattered by a shell explosion at Messines. The injury left him with a limp he would try to hide for the rest of his life and, like Charles, he felt lost and bitter after the war ended. Also like his character in the film, Colman escaped his melancholia through work and achieved great recognition with it.

When Random Harvest came along, Ronnie and Greer were the first choice for the role. It could have been written for them. Between the two of them, the English language was never spoken more beautifully on film.
(Mervyn LeRoy)

For the role of Kitty, Mervyn LeRoy cast 21-year-old newcomer Susan Peters, hoping to mentor her to stardom as he had previously done with Loretta Young, Ginger Rogers and Lana Turner. Though her performance was greatly acclaimed and earned her an Academy Award nomination for Best Supporting Actress, her success was shattered a few years later when she was permanently paralyzed from the waist down during a hunting accident on New Year's Day in 1945. Although she continued to make films and later worked on television, her condition left her in a state of severe depression, which ultimately contributed to her premature death in 1952, at the age of 31.

Mervyn LeRoy and Susan Peters on the set

Upon its December 17 premiere, Random Harvest became an instant success and was among the top five highest grossing pictures of 1942. Made during the first full year in which the United States were involved in the Second World War, the film's success was partly due to its depiction of the effects of war in the home front and its affirmation of the importance of love and family life. Both Ronald Colman and Greer Garson, actually, were actively involved in the war efforts, taking part in whirlwind bond-selling tours and lending their voices to goverment radio broadcasts.

Random Harvest truly is an affirmation of love; the proof that if love is real and true and unconditional, it can survive anything. This was one of the first classic films I saw and it has stayed with me this whole time. And it just warms my heart to know that the people involved in it loved making it as much as I loved watch it. 

We all got on so well, it was a wonderful picture to make. When he did the last scene at the cottage gate, which was also the last scene we filmed, Ronnie said to me, "This is one picture I hate to finish!"
(Mervyn LeRoy)

____________________________
SOURCES:
A Rose for Mrs. Miniver: The Life of Greer Garson by Michael Troyan (1999) | TCMDb (Articles)

Comments

  1. I LOVED THIS MOVIE!!! I feel like it's passed over a lot because of "Mrs. Miniver." You always pick such great films to write about. I had checked out the book this film was based on but didn't get a chance to read it. That's so sad about Susan Peters!

    ReplyDelete

Post a Comment

Popular posts from this blog

Golden Couples: Gary Cooper & Patricia Neal

It was April 1948 when director King Vidor spotted 22-year-old Patricia Neal on the Warner Bros. studio lot. A drama graduate from Northwestern University, she had just arrived in Hollywood following a Tony Award-winning performance in Lillian Hellman's Another Part of the Forest . Impressed by Patricia's looks, Vidor approached the young actress and asked if she would be interested in doing a screen test for the female lead in his newest film, The Fountainhead (1949). Gary Cooper had already signed as the male protagonist, and the studio was then considering Lauren Bacall and Barbara Stanwyck to play his love interest.          Neal liked the script and about two months later, she met with the director for sound and photographic tests. Vidor was enthusiastic about Patricia, but her first audition was a complete disaster. Cooper was apparently watching her from off the set and he was so unimpressed by her performance that he commented, « What's that!? » He tried to con

Golden Couples: Clark Gable & Jean Harlow

  At the 3rd Academy Awards ceremony, MGM's hugely successful prison drama The Big House (1930) earned writer Frances Marion an Oscar for Best Writing. Hoping that she would be inspired to repeat that accomplishment, Irving Thalberg, head of production at Metro, sent Marion to Chicago, Illinois to research story ideas. While flicking through the pages of The Saturday Evening Post , she found an article revealing that, in a city where people distrusted the police, a small group of leading citizens met in secret to arrange their own justice for criminals. Marion took inspiration from that story and wrote The Secret Six (1931), in which Wallace Beery and Lewis Stone, stars of The Big House , play two mobsters prosecuted by a half a dozen vigilantes. Thalberg was pleased with the leading roles Marion wrote for Beery and Stone, but asked if she could also fill out one of the minor leads for Clark Gable , a tall, dark and handsome 30-year-old actor whom Metro-Goldwyn-Mayer had recen

Golden Couples: Henry Fonda & Barbara Stanwyck

In the mid- and late 1930s, screwball comedy was in vogue and practically every actress in Hollywood tried her hand at it. Barbara Stanwyck never considered herself a naturally funny person or a comedienne per se , but after delivering a heart-wrenching performance in King Vidor's Stella Dallas (1937), she decided she needed a « vacation » from emotional dramas. In her search for a role, she stumbled upon a « champagne comedy » called The Mad Miss Manton (1938), originally intended as a Katharine Hepburn vehicle. Barbara Stanwyck and Henry Fonda as Melsa and Peter in The Mad Miss Manton .   Directed by Leigh Jason from a script by Philip G. Epstein, The Mad Miss Manton begins when vivacious Park Avenue socialite Melsa Manton finds a corpse while walking her dogs in the early hours of the morning. She calls the police, but they dismiss the incident — not only because Melsa is a notorious prankster, but also because the body disappears in the meantime. Sarcastic newspaper editor

Film Friday: «Who Was That Lady?» (1960)

Theatrical release poster Directed by George Sidney , Who Was That Lady? (19 60 ) begins when che mistry p rofessor David Wilson (Tony Curtis) is caught by his wife Ann (Janet Leigh) kissing one of his female st u de nts. To stop her from divo rcing him , he a sk s for hel p from his good friend, television writer Michael Haney (Dean Mart in), who invents a crazy story that Davi d is working undercover with the FBI and kissed the student — a foreign agent — in the line of du ty. To convince Ann, Mi ke tricks Schult z (William Newel l), a prop man at the T V studio, into fabricating an FBI identification card for David and s up plying him with a g un. Ann is so t hrilled by the idea of being married to a secret agent t hat she forgives David. Meanwhile, Mike sets up a date wi th the Coogle sisters, Gloria (Barbara N ichols) and Florence ( Joi Lan sing), and takes David along , telling Ann that the girls are foreign agents. Just as Ann realizes that her h usband ha s

Christmas in Old Hollywood

The beautiful Elizabeth Taylor with an extremely cute little friend. Humphrey Bogart and Lauren Bacall with their son Stephen (early 1950s). Here they are again. What an adorable picture! Paulette Goddard looking rather uncomfortable next to her Christmas tree. Boris Karloff and Ginger Rogers at a Hollywood Christmas party in 1932. The adorable Shirley Temple chatting with Santa. Here she is again with a dolly friend. Look how cute she looks here, modeling a new Christmas dress (1935). The fur-tastic Joan Crawford. Doris Day asking us to "do not disturb until Christmas." Don't worry, Doris, we shall not. Though it's past Christmas now, so I'm sure Doris won't mind if we disturb just a little bit. Priscilla Lane looking sparkling drapped in her garlands. A VERY young Carole Lombard sitting next to her tree (1920s). Jean Harlow looking stunning as always. Janet Leigh looking extra cute unde

Films I Saw in 2020

For the past four years, I have shared with you a list of all the films I saw throughout 2016 , 2017 , 2018 and 2019 , so I thought I would continue the «tradition» and do it again in 2020. This list includes both classic and «modern» films, which make up a total of 161 titles. About three or four of these were re-watches, but I decided to include them anyway. Let me know how many from these you have seen. As always, films marked with a heart ( ❤ ) are my favorites. Sherlock Jr. (1924) | Starring Buster Keaton, Kathryn McGuire and Joe Keaton The Crowd (1928) | Starring James Murray, Eleanor Boardman and Bert Roach Young Mr. Lincoln (1939) | Starring Henry Fonda, Alice Brady and Marjorie Weaver Brief Encounter (1945) | Starring Celia Johnson, Trevor Howard and Stanley Holloway The Bells of St. Mary's (1945) | Starring Bing Crosby and Ingrid Bergman The Girl He Left Behind (1956) | Starring Tab Hunter and Natalie Wood Gidget (1959) | Starring Sandra Dee, Cliff Robertson an

Wings of Change: The Story of the First Ever Best Picture Winner

Wings was the first ever film to win the Academy Award for Best Picture. Since then, it has become one of the most influential war dramas, noted for its technical realism and spectacular air-combat sequences. This is the story of how it came to be made.   A man and his story The concept for Wings originated from a writer trying to sell one of his stories. In September 1924, Byron Morgan approached Jesse L. Lasky, vice-president of Famous Players-Lasky, a component of Paramount Pictures, proposing that the studio do an aviation film. Morgan suggested an «incident and plot» focused on the failure of the American aerial effort in World War I and the effect that the country's «aviation unpreparedness» would have in upcoming conflicts. Lasky liked the idea, and approved the project under the working title «The Menace.»   LEFT: Byron Morgan (1889-1963). RIGHT: Jesse L. Lasky (1880-1958).   During his development of the scenario with William Shepherd, a former war correspondent, Morga

80 Reasons Why I Love Classic Films (Part II)

I started this blog six years ago as a way to share my passion for classic films and Old Hollywood. I used to watch dozens of classic films every month, and every time I discovered a new star I liked I would go and watch their entire filmography. But somewhere along the way, that passion dimmed down. For instance, I watched 73 classic films in 2016, and only 10 in 2020. The other day, I found this film with Douglas Fairbanks Jr. that I had never heard of — the film is Mimi (1935), by the way — and for some reason it made me really excited about Old Hollywood again. It made me really miss the magic of that era and all the wonderful actors and actresses. And it also made me think of all the reasons why I fell in love with classic films in the first place. I came up with 80 reasons, which I thought would be fun to share with you. Most of them are just random little scenes or quirky little quotes, but put them together and they spell Old Hollywood to me. Yesterday I posted part one ; her

Top 10 Favourite Christmas Films

Christmas has always been a source of inspiration to many artists and writers. Over the years, filmmakers have adapted various Christmas stories into both movies and TV specials, which have become staples during the holiday season all around the world. Even though Christmas is my favourite holiday, I haven't watched a lot of Christmas films. Still, I thought it would be fun to rank my top 10 favourites, based on the ones that I have indeed seen. Here they are.  10. Holiday Affair (1949) Directed by Don Hartman, Holiday Affair tells the story of a young widow (Janet Leigh) torn between a boring attorney (Wendell Corey) and a romantic drifter (Robert Mitchum). She's engaged to marry the boring attorney, but her son (Gordon Gebert) likes the romantic drifter better. Who will she choose? Well, we all know who she will choose.   Holiday Affair is not by any means the greatest Christmas film of all time, but it's still a very enjoyable Yule-tide comedy to watch over the holi

The Sinatra Centennial Blogathon: Frank Sinatra & Gene Kelly

  In January 1944, MGM chief Louis B. Mayer happened to see a young crooner by the name of Frank Sinatra perform at a benefit concert for The Jewish Home for the Aged in Los Angeles. According to Nancy Sinatra, Frank's eldest daughter, Mayer was so moved by her father's soulful rendition of « Ol' Man River » that he made the decision right then and there to sign Frank to his studio. Sinatra had been on the MGM payroll once before, singing with the Tommy Dorsey Orchestra in the Eleanor Powell vehicle Ship Ahoy (1942), although it is very likely that Mayer never bothered to see that film. Now that Frank was «hot,» however, Metro made arrangements to buy half of his contract from RKO, with the final deal being signed in February of that year. Gene Kelly and Frank Sinatra in  Anchors Aweigh Being a contract player at the studio that boasted «more stars than there are in the heavens» gave Frank a sudden perspective regarding his own talents as a film performer. The «g