It was April 1948 when director King Vidor spotted 22-year-old Patricia Neal on the Warner Bros. studio lot. A drama graduate from Northwestern University, she had just arrived in Hollywood following a Tony Award-winning performance in Lillian Hellman's Another Part of the Forest. Impressed by Patricia's looks, Vidor approached the young actress and asked if she would be interested in doing a screen test for the female lead in his newest film, The Fountainhead (1949). Gary Cooper had already signed as the male protagonist, and the studio was then considering Lauren Bacall and Barbara Stanwyck to play his love interest. Neal liked the script and two months later, she met with the director for sound and photographic tests. Vidor was enthusiastic about Patricia, but her first audition was a complete disaster. Cooper was apparently watching her from off the set and he was so unimpressed by her performance that he commented, «What's that!?» He tried to convince Vidor to...
Directed by Michael Curtiz, Romance on the High Seas (1948) the the story of Elvira Kent (Janis Paige) and her husband Michael (Don DeFore), who suspect each other of cheating. For their wedding anniversary, Elvira books a cruise to Rio de Janeiro, but Michael suddenly cancels the trip for business reasons. Seeing an opportunity, Elvira pretends to go alone, but in fact sends Georgia Garrett (Doris Day), a singer she had met at the travel agency, in her place and under her name. By secretly staying behind, Elvira hopes to discover if Michael is indeed having an affair with his attractive new secretary, Miss Medwick (Leslie Brooks). Michael, however, is suspicious over his wife's willingness to take the trip alone, so he hires private detective Peter Virgil (Jack Carson) to see if she is sneaking around behind his back. (from left to right) Janis Paige, Don DeFore, Doris Day and Jack Carson on Romance on the High Seas . Peter joins the cruise and, as part of his job, becomes acqua...
At the 3rd Academy Awards ceremony held at the Ambassador Hotel in Los Angeles, California, on November 5, 1930, MGM's hugely successful prison drama The Big House (1930) earned writer Frances Marion an Oscar for Best Writing. Hoping that she would be inspired to repeat that accomplishment, Irving Thalberg, head of production at Metro, sent Marion to Chicago, Illinois, to research story ideas. While flicking through the pages of an edition of The Saturday Evening Post , she found an article revealing that, in a city where people distrusted the police, a small group of leading citizens met in secret to arrange their own justice for criminals. Marion took inspiration from that story and wrote The Secret Six (1931), in which Wallace Beery and Lewis Stone, stars of The Big House , play two mobsters prosecuted by a half a dozen vigilantes. Thalberg was pleased with the leading roles Marion wrote for Beery and Stone, but asked if she could also fill out one of the minor leads for Cla...
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