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In the mid- and late 1930s, screwball comedy was in vogue and practically every actress in Hollywood tried her hand at it. Barbara Stanwyck never considered herself a naturally funny person or a comedienne per se , but after delivering a heart-wrenching performance in King Vidor's Stella Dallas (1937), she decided she needed a «vacation» from emotional dramas. In her search for a role, she stumbled upon a «champagne comedy» called The Mad Miss Manton (1938), originally intended as a Katharine Hepburn vehicle. Barbara Stanwyck and Henry Fonda as Melsa and Peter in The Mad Miss Manton .   Directed by Leigh Jason from a script by Philip G. Epstein, The Mad Miss Manton begins when vivacious Park Avenue socialite Melsa Manton finds a corpse while walking her dogs in the early hours of the morning. She calls the police, but they dismiss the incident — not only because Melsa is a notorious prankster, but also because the body disappears in the meantime. Sarcastic newspaper editor Pet...

A lot happened in 1932. Gandhi was arrested and interned by the British in India, Hattie W. Caraway became the first woman elected to the United States Senate, Aldous Huxley's Brave New World was published, women's suffrage was granted in Brazil, James Chadwick discovered the neutron, Goofy made his first ever appearance in a Disney short, the Summer Olympic Games took place in Los Angeles, the first Mars bar was produced, Babe Ruth performed his famous called shot, the BBC World Service began broadcasting, and the iconic Radio City Music Hall opened in Manhattan. It was also in 1932 that Carole Lombard and Clark Gable met for the first time, not knowing each would change the other's life forever.   LEFT: Carole Lombard in a studio portrait from circa 1935. RIGHT: Clark Gable photographed by Herbert Dorfman in 1936. CHAPTER I: Carole with an «e» Jane Alice Peters was born to a wealthy family in Fort Wayne, Indiana, on October 6, 1908. When she was seven years old, her pare...

After the success of It Happened One Night (1934), Claudette Colbert became the biggest actress under contract to Paramount Pictures. Although the film had been made at Columbia, its popularity did not escape the attention of Paramount's executives, who decided to capitalize on Colbert's newfound fame as a comedienne. The studio commissioned screenwriter Claude Binyon to create another romantic comedy for the actress, and the result was The Gilded Lily (1935), the story of a stenographer who becomes a member of café society and must choose between a dashing English aristocrat and a common newspaper reporter. Fred MacMurray and Claudette Colbert appeared in seven pictures together. Whereas the part of the Englishman was perfectly suited for Ray Milland, there was some difficulty in casting the role of the reporter. Paramount initially wanted Franchot Tone, but MGM refused to loan him out. Cary Grant was considered, but his light cockney accent made him «not American enough» ...

In late 1940, an aspiring young actor named Van Johnson was hired by director-playwright George Abbott as a chorus boy and  Gene Kelly 's understudy in the Broadway musical Pal Joey . The show opened at the Ethel Barrymore Theatre on Christmas Day of that year, a few months after Cole Porter's Panama Hattie premiered at the 46th Street Theatre (now the Richard Rodgers Theatre). In the cast of Panama Hattie was another young hopeful, June Allyson, who was understudying Betty Hutton. One day, Van happened to meet June at the apartment of a mutual friend and, by all accounts, the two instantly became «soulmates.» Van Johnson and June Allyson were lifelong friends and appeared in six films together.   Van and June were both avid movie fans and they both had dreams of becoming actors one day. Whereas Van idolized Spencer Tracy — with whom he would later co-star in A Guy Named Joe (1943) and Thirty Seconds Over Tokyo (1944) — June thought Margaret Sullavan was the screen's ...