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This week on «Film Friday» I am celebrating Warren Beatty's 80th birthday, which is next Thursday, by telling you a little bit about the film that made him a star. Incidentally, 2017 also marks the 50th anniversary of this film's original release.   Directed by Arthur Penn, Bonnie and Clyde (1967) begins in the middle of the Depression with a meeting between Clyde Barrow (Warren Beatty) and Bonnie Parker (Faye Dunaway), whose car he tries to steal. Bonnie, who is bored by her job as a waitress, is deeply intrigued by Clyde and decides to take up with him by becoming his partner in crime. At first, the duo's amateur efforts are not very lucrative, but their crime spree shifts into high gear once they partner up with a dim-witted gas station attendant named C.W. Moss (Michael J. Pollard), Clyde's older brother Buck (Gene Hackman) and his shrill wife Blanche (Estelle Parsons), a preacher's daughter.   Faye Dunaway and Warren Beatty as Bonnie Parker and Clyde Barrow....

This week on «Film Friday,» I am honouring Grace Kelly's 87th birthday, which is tomorrow, by telling you a little about what is arguably one of her most iconic films. This was also the picture that gave her a first glimpse at her future realm. Directed by Alfred Hitchcock, To Catch a Thief (1955) concerns John Robie (Cary Grant), a former world-famous jewel thief known as «The Cat,» who now lives in the French Riviera. Although he insists he is retired, having repented for his crimes during World War II, he becomes the chief suspect when a series of robberies take place. Realizing that the only way to prove his innocence is by catching the thief himself, Robie seeks the help of his old friend, restauranteur Bertani (Charles Vanel), asking him for information about his wealthy customers. Spotted by police detectives as he is leaving the restaurant, Robie manages to escape with the help of Foussard (Jean Martinelli), one of Bertani's workers, and his flirtatious teenage daught...

This week has been so incredibly hectic that I did not have time to post my usual "Film Friday" article on schedule. As a result, we are having instead a "Film Sunday," in which I am celebrating Robert Redford's 80th birthday, which was on Thursday, by telling you a little bit about one of the films that he is most widely associated with. Directed by George Roy Hill, Butch Cassidy and the Sundance Kid (1969) tells the story of notorious bank robber Butch Cassidy (Paul Newman), the leader of the Hole in the Wall Gang, and his loyal companion, the Sundance Kid (Robert Redford). As they return to they hideout in Hole-in-the-Wall, Wyoming, they discover that the rest of the gang, annoyed at Butch's long absences, have selected Harvey Logan (Ted Cassidy) as their new leader. Butch contests this decision, leading Harvey to challenge him to a fight, which Butch quickly wins by distracting his opponent. Still, Butch embraces Harvey's idea to rob the Union Paci...

Directed by Billy Wilder, Double Indemnity (1944) begins with insurance agent Walter Neff (Fred MacMurray) returning to his office late one night. Bleeding from a gunshot wound, he records his murder confession on a Dictaphone, addressing his boss and friend, Barton Keyes (Edward G. Robinson), a meticulous and intuitive claims manager. In a flashback, Walter then remembers the day when it all started. While making a routine call on an automobile insurance client, Mr. Dietrichson (Tom Powes), he meets the man's alluring blonde wife Phyllis (Barbara Stanwyck), who greets Walter wearing only a towel. Although she seems to be subtly seducing him, Phyllis coldly rebuffs Walter's advances and sends him away. Soon, however, they mutual attraction develops into an illicit romantic affair.   Fred MacMurray, Edward G. Robinson and Barbara Stanwyck in Double Indemnity . When Phyllis asks how she could take out an accident policy on her husband's life without his knowledge, Walter de...

This week on «Film Friday» I am celebrating William Powell's 124th birthday by telling you a little bit about what is arguably his most iconic picture. Incidentally, this was the first William Powell film I ever saw and it remains my personal favourite.   Directed by W. S. Dyke, The Thin Man (1934) begins when Dorothy Wynant (Maureen O'Sullivan) announces to her inventor father, Clyde (Edward Ellis), her plans to marry Tommy (Henry Wadsworth). Shortly after, Wynant goes on a secret business trip, but promises to be back in time for Dorothy's wedding. As the day approaches and Wynant fails to return, Dorothy worries, while her mother Mimi (Minna Gombell) is frantic that her ex-husband is unavailable to give her and her new spouse, Chris Jorgenson (Cesar Romero), more money. When Mimi visits Wynant's mistress, Julia Wolf (Natalie Moorehard), to ask for money, she finds only her dead body. Evidence points to Wynant as the main suspect, but Dorothy refuses to believe her ...