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After World War II, the world was divided into two competing ideological and military blocs: the West, led by the capitalist United States, and the East, which operated within the Soviet Union's communist sphere. Under the authoritarian rule of Mao Zedong, China initially aligned with the USSR, securing much-needed economic and industrial aid, as well as military support to counter American influence in East Asia. In the late 1950s, however, border disputes and ideological disagreements led China to break the alliance with the Eastern Bloc and become an independent power, challenging both Soviet and American policies. As a result of the Sino-Soviet split and the trade restrictions imposed by the United States after the Korean War, China experienced a significant period of economic and cultural isolation that ended only in the early 1970s. In the midst of the political tensions of the Cold War, Chinese-born Eurasian physician and author Han Suyin emerged as a key figure in bridging...

To celebrate Gary Cooper's 115th birthday, which is tomorrow, this week on «Film Friday» I have decided to write about the movie that gave him his first important screen role. This is also one of the few silent films I have seen so far.   Directed by Henry King, The Winning of Barbara Worth (1926) begins with a woman (Vilma Bánky) burying her husband in the desert. She and her young daughter, Barbara (Carmencita Johnson), then get back in their covered wagon and continue to head West. At the same time, Jefferson Worth (Charles Lane) and his party — which includes Tex (Clyde Cook) and Pat Mooney (Erwin Connelly) — are also travelling West. They all run into a violent sandstorm and try to take cover. Once the storm clears, Mr. Worth and his companions find Barbara clinging to her dead mother in the sand. Mr. Worth adopts the girl and raises her as his own daughter. Fifteen years pass, and Barbara Worth (Vilma Bánky) is now a grown woman beloved by her childhood friend, Abe Lee (G...