The Carole Lombard Memorial Blogathon: The Gable & Lombard Love Story
A lot happened in 1932. Gandhi was arrested and interned by the British in India, Hattie W. Caraway became the first woman elected to the United States Senate, Aldous Huxley's Brave New World was published, women's suffrage was granted in Brazil, James Chadwick discovered the neutron, Goofy made his first ever appearance in a Disney short, the Summer Olympic Games took place in Los Angeles, the first Mars bar was produced, Babe Ruth performed his famous called shot, the BBC World Service began broadcasting, and the iconic Radio City Music Hall opened in Manhattan. It was also in 1932 that Carole Lombard and Clark Gable met for the first time, not knowing each would change the other's life forever.
A lot happened in 1932. Gandhi was arrested and interned by the British in India, Hattie W. Caraway became the first woman elected to the United States Senate, Aldous Huxley's Brave New World was published, women's suffrage was granted in Brazil, James Chadwick discovered the neutron, Goofy made his first ever appearance in a Disney short, the Summer Olympic Games took place in Los Angeles, the first Mars bar was produced, Babe Ruth performed his famous called shot, the BBC World Service began broadcasting, and the iconic Radio City Music Hall opened in Manhattan. It was also in 1932 that Carole Lombard and Clark Gable met for the first time, not knowing each would change the other's life forever. |
| LEFT: Carole Lombard in a studio portrait from circa 1935. RIGHT: Clark Gable photographed by Herbert Dorfman in 1936. |
CHAPTER I: Carole with an «e»
Jane Alice Peters was born to a wealthy family in Fort Wayne, Indiana, on October 6, 1908. When she was seven years old, her parents separated and her mother, Bessie, took her and her two older brothers to live in Los Angeles, California. Jane grew up a «tomboy» and was passionately involved in sports in middle school. She took up baseball, football and swimming, and won medals in track and field.
At the age of 12, Jane caught the attention of director Allan Dwan, who convinced Bessie to let him cast her as Monte Blue's sister in A Perfect Crime (1921). According to Dwan,
«She was a cute little tomboy, and I needed someone of her type for the picture.»
Although the film was not widely distributed and paid only $50, the experience spurred Jane's mother to enroll her in drama school. In 1924, just as she turned 16, she was screentested by Fox Film Corporation and subsequently hired to play Edmund Lowe's wife in Marriage in Transit (1925). The studio thought her birth name was too «ordinary,» so she decided to become «Carol Lombard».
 |
| LEFT: Carole Lombard at 18 months old. MIDDLE: Carole Lombard at the age of 7. RIGHT: Carole Lombard with Monte Blue in A Perfect Crime. |
Meanwhile, Carole was hired to replace Miriam Hopkins as the female lead in No Man of Her Own (1932). Directed by Wesley Ruggles, the film told the story of a card sharp who falls in love and eventually marries a frustrated small-town librarian. The male protagonist had originally been slated for George Raft, but Paramount ultimately decided to borrow Clark Gable from Metro-Goldwyn-Mayer for the role.
 |
| Clark Gable and Carole Lombard as Jerry «Babe» Stewart and Connie Randall in No Man of Her Own. |
CHAPTER II: Clark Gable is a big ham
William Clark Gable was born on February 1, 1901 in Cadiz, Ohio. After his mother died from a brain tumor when he was just 10 months old, his father remarried and the family moved to nearby Hopedale. During his school years, Clark developed an interest in music, language and literature, and took part in athletics and baseball. He was one of the so-called «popular kids» and could often be seen at parties, church socials, or hanging out with friends at the soda fountain.
At 16, Clark left school and went to work at a rubber factory in Akron. It was during this time that he became passionate about acting, after seeing the play The Bird of Paradise by Richard Walton Tully at the local theatre. He was so dazzled by what he saw that he started hanging around backstage, offering to run errands and sweep the floor. Eventually, the manager of the theatre's resident stock company got him a part in one of his productions. It was just a one-line role, but Clark was thrilled to be given that opportunity.
 |
| LEFT: Clark Gable at 18 months. MIDDLE: Clark Gable with his stepmother in 1909. RIGHT: Clark at age 17, on the front porch of his house in Ohio. |
In 1924, after a few years of touring the country in theatre stock companies, Clark finally arrived in Hollywood. He quickly found work as an extra in several silent films, including The Plastic Age (1925) and Ben-Hur (1926), in both of which Carole can also be seen. At the dawn of the sound age, Clark signed a long-term contract with Metro-Goldwyn-Mayer and was paired with some of the studio's biggest female stars at the time, including Joan Crawford, Norma Shearer and Jean Harlow.
When No Man of Her Own began production in late 1932, neither Carole nor Clark showed more than a professional interest in each other. She was too involved with personal problems, and he had just married his second wife, socialite Maria Langham. No sparks flew, but the two got along very well, nicknaming each other «Ma» and «Pa.» At the film's wrap party, Carole gave Clark a big ham with his picture on it, he kissed her goodbye, and then they went their separate ways, moving on to different ventures.
When No Man of Her Own began production in late 1932, neither Carole nor Clark showed more than a professional interest in each other. She was too involved with personal problems, and he had just married his second wife, socialite Maria Langham. No sparks flew, but the two got along very well, nicknaming each other «Ma» and «Pa.» At the film's wrap party, Carole gave Clark a big ham with his picture on it, he kissed her goodbye, and then they went their separate ways, moving on to different ventures.
 |
| LEFT: Carole Lombard and Clark Gable on the set of No Man of Her Own. RIGHT: Clark Gable and Carole Lombard with the ham she gave him. |
CHAPTER III: Ma and Pa go for each other
By the time Carole Lombard and Clark Gable met each other again four years after making No Man of Her Own, they were two of the biggest stars in Hollywood. He had won an Academy Award for Frank Capra's It Happened One Night (1934), and she was one of Paramount's leading comediennes after her success in Twentieth Century (1934) and Hands Across the Table (1935). They were also in very different places in terms of their personal lives. She had divorced Powell in 1933, and he was separated from his second wife.On Saturday night, January 25, 1936, the Mayfair Club of Hollywood hosted its first social of the year, a formal dress ball at the Victor Hugo Restaurant in Beverly Hills. Producer David O. Selznick, the club's then-president, had asked Carole to organize the ball and choose its theme. At the time, she was famous for throwing wacky parties for her friends, like one where they came to her house dressed as doctors or nurses and had dinner in a replica of a hospital operating room. But with 350 of Hollywood's elite invited and the proceeds going to the Motion Picture Relief Fund, she realized that the event would have to be more elegant and dignified. Carole decided it would be a White Mayfair Ball, where the women had to wear white gowns and the men white tie and tails. She was escorted by her friend and fellow actor Cesar Romero, while Clark, arriving as part of Marion Davies's group, brought along Edie Adams, a singer who frequently dubbed for some of the MGM stars. Other notable guests included Louis B. Mayer, Davies's lover William Randolph Hearst, as well as Irving Thalberg and his wife, MGM queen Norma Shearer, who caused a scandal by wearing a bright crimson gown.
 |
| LEFT: Cesar Romero and Carole Lombard at the White Mayfair Ball. RIGHT: David Niven, Merle Oberon, Norma Shearer and Irving Thalberg at the same event. |
«Those two were made for each other. Wouldn't it be great if they fell in love?»
At some point during the night, Clark offered to take Carole for a ride
in his new Duesenberg convertible. She pleaded hostess obligations, but
he persuaded her by promising to bring her back in ten minutes. He drove
her on a quick tour of Beverly Hills to show off his custom-made car
and then stopped in front of the Beverly Wilshire Hotel. «Would you like
to see my apartment?» he said. «Who do you think you are? Clark Gable?»
she quipped. Angered by her sarcasm, he stepped on the accelerator and
took her back to the ball.
 |
| Clark Gable and his 1935 Duesenberg Model JN convertible coupe. |
The next morning, a hungover Clark woke up to find an open birdcage and a
pair of white doves flying around his room. One of the doves had a note
tied to its leg that read, «How about it? Carole.» She had bribed a
hotel clerk to release the doves in Clark's room while he was asleep;
she had thought of it as a peace offering after their quarrel at the
ball. Clark laughed, and then telephoned Carole to apologize for his behaviour
the previous night and thank her for the birds. He called her again the
following day and ask her for a date, but she refused. After two more
failed attempts, he lost interest and found companionship in Merle
Oberon's arms.
Two weeks later, Clark organized a «gag party» where the guests were supposed to come dressed in their evening attire in the middle of the day. Clark was at the door welcoming guests when an ambulance with sirens wailing suddenly stopped next to them. The attendants wheeled out a stretcher with an apparently unconscious Carole on it, leaving everyone shocked and concerned. Carole suddenly sat up and burst out laughing, but Clark was not amused. He began shouting at her, she shouted back, and then walked off. Eventually, he attempted to make up by suggesting that they play tennis in their evening clothes. They spent the rest of the afternoon frolicking with each other, until she finally threw her arms around him and kissed him.
 |
| LEFT: Clark Gable and Carole Lombard playing tennis in their evening attire. RIGHT: Clark Gable and Carole Lombard in a publicity still for No Man of Her Own. |
CHAPTER IV: Ma and Pa take Hollywood
On February 14, Clark started working on San Francisco (1936) with Jeanette MacDonald and Spencer Tracy. When he arrived at the MGM lot that morning, he found a Valentine's Day present waiting for him outside the main gate. It was a decrepit Model T Ford painted white with red hearts all over it. There was a note attached to the steering wheel that said, «You're driving me crazy!» He had no trouble guessing who had written it. He immediately phoned Carole to thank her for the gift and asked her to dinner that night at the Café Trocadero. This time she accepted, and they spent the night dancing to the music of Phil Ohman's band.A few days later, Carole started filming The Princess Comes Across (1936), her second of four collaborations with Fred MacMurray. She told Clark that she would be unavailable for the next six weeks. Their blossoming relationship seemed to cool down during this time, but they were still in each other's hearts and minds.
 |
| LEFT: Clark Gable and the Model T Ford full of hearts. RIGHT: The couple at the midget auto races in Gilmore Stadium in Los Angeles in April 1936. |
That night marked the beginning of a serious affair, but one that developed slowly. Both Clark and Carole had been hurt before and both of them sensed that this new relationship could be important, so they did not want to ruin it by rushing things. Clark had finally found his match. Unlike his two previous partners, who had been much older than him, Carole was only seven years younger — and she was also his peer. She had her own successful career, her own income and her own property. Despite her wackiness, she was a genuinely warm and down-to-earth human being, which was exactly what Clark had looked for his entire life. For her part, Carole adored Clark and set out to be the sort of woman he would want. She even learned how to shoot so she could go along with him and his friends on hunting trips and be «one of the boys.» Having lost his mother when he was just a baby, Clark seemed to be searching for a woman who could be the perfect balance of mother and companion to him. Carole realized that and gradually made herself over into that image.
 |
| LEFT: Carole Lombard and Clark Gable at a match at the Los Angeles Tennis Club in 1937. MIDDLE: Carole Lombard and Clark Gable at the Cafe Trocadero in Hollywood, during the after-party for the premiere of Marie Antoinette (1938). RIGHT: Clark Gable and Carole Lombard at the annual MGM picnic in 1938. |
Over the next three years, Clark Gable and Carole Lombard became the most popular unmarried couple in Hollywood. They could often be seen at the Trocadero or the Coconut Grove, or out at the races, horse shows, rodeos, fights, tennis matches, movie premieres, award ceremonies, and other studio functions. Unlike William Powell, Clark did not mind Carole's notorious foul-mouth. John Lee Mahin, Clark's favourite screenwriter, who penned several of his films, recalled,
«It was always fuck and shit, fuck and shit. Clark loved it. He'd laugh; never tried to stop her.»
Carole was definitely not a conventional woman according to the standards of that time, but Clark loved her all the more for it. He never tired of recounting «Carole stories.» Many years later, for instance, he would tell novelist A. E. Hotchner that, when Carole and he went duck hunting together for the first time, it was too foggy to see anything. Clark told her that they just had to wait until it cleared out, and then she suggested she could think of something better to do during that time. Apparently, they had sex twice in that duck blind, which, according to Clark himself, was not an easy thing to do.
 |
| LEFT: Carole Lombard and Clark Gable returning from a hiking trip in California, on June 2, 1940. MIDDLE: Carole Lombard getting ready to go duck hunting. RIGHT: Carole Lombard and Clark Gable hunting in South Dakota in 1941. |
CHAPTER V: The Gables and the pursuit of happiness
By early 1939, Clark's career had become more successful than ever. He had been cast as the charming philanderer Rhett Butler in Victor Fleming's iconic Civil war epic Gone with the Wind (1939), which would bring him his third Academy Award nomination for Best Actor. On the first day of shooting, Carole sent him stuffed doves to his dressing room. Ever since the Mayfair Ball, doves had become a symbol of their relationship, and Clark saw them as being a sign of good luck.On the afternoon of March 28, Clark was informed by the assistant director on Gone with the Wind
that he would not be needed on set the next day. In the spur of
the moment, he decided to take the opportunity to do what he had been
wanting to do for months. He immediately called Carole and told her to
be ready to leave for Kingman, Arizona, that night. The following day, at half past three in the afternoon, Clark and Carole were married by Reverend Kenneth M. Engle at the Saint John's Methodist Episcopal Church. They had wanted to marry in peace, without the usual press circus that surrounded celebrity weddings. However, Clark's press agent, Otto Winkler, had accompanied them to Kingman, supposedly to solve any difficulties the couple might encounter while there. After the ceremony, he called MGM's head of publicity, Howard Strickling, who then proceeded to plan a press conference for the following morning at Carole's home in Bel Air.
Happy with their quiet elopement, the newlyweds had a peaceful drive
back to Los Angeles — only to be welcomed back by a horde of
photographers, reporters and cameramen who were gathered on Carole's
front lawn. The press showered them with questions about the ceremony,
the ring (which Clark had been carrying in his pocket for two months),
the honeymoon and their plans for the future. They said they would not
have a honeymoon, at least not just yet, as he had to go back to filming
Gone with the Wind and she was about to start working on In Name Only
(1939) at RKO. As for the future, Carole hinted at the possibility that
she might retire from the film industry to build the family she and her
husband had both always wanted.
 |
| Clark Gable and Carole Lombard during the press conference on the day after their wedding, on March 30, 1939. |
As a married couple, Clark and Carole were as happy as ever. They purchased a 20-acre ranch in the quiet town of Encino in the San Fernando Valley, where they settled a few months after their wedding. Besides the nine-room main house with creamy white wood interiors, the property featured stables, a workshop, a barn, kennels, chicken houses, a pigsty, a vineyard, an alfalfa field, and citrus groves. The house had belonged to their good friend and director Raoul Walsh and, apparently, Clark had been trying to buy it from him for years. The playfulness also remained a constant in their relationship. Carole continued to send her husband gag gifts to celebrate his success. For instance, during the filming of Idiot's Delight (1939), wherein Clark had to perform a song-and-dance routine to «Puttin' on the Ritz,» Carole got him a spangled tutu with his initials on the front, a pair of ballet shoes, and even a bunch of pansies.
One of Clark's first decisions as head of the Victory Committee was to enlist Carole's help to sell war bonds. A request had come in from Indiana for a star to launch the state's participation in the national campaign to raise money for the war effort, so Clark naturally thought of his Hoosier-born wife. Being a patriotic citizen, she was thrilled by the prospect of helping her country in its time of need and instantly agreed to make the trip. Although her final destination was her state's capital, Indianapolis, she would travel from Los Angeles by train, making short stopovers at Salt Lake City, Utah, and Chicago, Illinois, en route, and at Kansas City, Missouri, and Albuquerque, New Mexico, on the return trip.
This was not only a difficult time for the nation, but also a difficult time for Carole personally. She had decided to slow down her filming schedule to have a baby and finally start a family, but after she suffered two miscarriages, parenthood seemed to elude the Gables. This caused Carole and Clark a great deal of stress and inevitably put a strain on their marriage. The day prior to Carole's departure to Indianapolis, the couple quarreled over Clark's upcoming work reunion with Lana Turner in Somewhere I'll Find You (1942). The young starlet already had a reputation of being «as easy to conquer as the Maginot Line,» and Carole worried that her husband would give in to Turner's charms. Clark was so furious by Carole's unfounded jealously that he walked out and spent the night elsewhere. In an attempt to patch things up, before leaving for her tour Carole handed her secretary a series of notes she had written for Clark, which were to be given to him at a rate of one a day. In her typical wacky fashion, she also left him a naked blonde dummy in their bed with a tag tied around its neck that said, «So you won't be lonely.» When Clark returned home the next day and found it, he laughed. To even the score, he phoned a friend in the MGM prop department and asked him to prepare a male dummy, with a huge erect phallus, to surprise Carole upon her return home.
However, Carole also showed some jealously over the fact that Clark's co-star in Idiot's Delight was Norma Shearer, whom she had never forgiven for wearing that red dress to the White Mayfair Ball three years prior. After the death of her husband, MGM production chief Irving Thalberg, Shearer had become known as the «Merry Widow», and Carole did not like that she was with Clark for more of the day than she was. Despite wanting to keep an eye on Clark, Carole did not cope well with having too much time on her hands. Thereby, she agreed to star alongside James Stewart in David O. Selznick's Made For Each Other (1939), which proved to be a great critical success for her. After years of being one of the best comediennes in the industry, she had decided to return to dramatic roles in hopes of getting the Academy Award she was so eager to win. She had been nominated for her performance in My Man Godfrey (1936), which made her one of the highest-paid actresses in Hollywood, but had lost to Luise Rainer for The Great Ziegfeld (1936).
 |
| LEFT and MIDDLE: The couple photographed in their ranch circa 1939. RIGHT: Carole Lombard bringing Clark Gable flowers on the set of Idiot's Delight. |
CHAPTER VI: Love in times of war
In December 1941, the United States entered World War II following the Japanese attack on the American naval base at Pearl Harbor, Hawaii. Many movie stars, including James Stewart, Tyrone Power, Henry Fonda and Douglas Fairbanks Jr., were willing to sacrifice their careers to serve their country. Those who were unable to join the armed forces turned their energies to supporting the war effort. For instance, Bette Davis and John Garfield founded the Hollywood Canteen, Myrna Loy joined the Red Cross, and a large contingent of stars signed up with the USO to perform for American troops, both at home and overseas. Clark wanted to enlist as well, but MGM chief Louis B. Mayer pleaded with him to stay put. Instead, he appointed him as chairman of the Hollywood Victory Committee, an organization created to provide a means for performers that were not in military service to contribute to the war effort through bond rallies, hospital tours, and shows at training camps. |
| LEFT: Clark Gable and Carole Lombard arriving at the Greek War Relief Benefit gala at Grauman's Chinese Theatre on January 8, 1941. RIGHT: Clark Gable and Carole Lombard at the first meeting for the Hollywood Victory Committee, held at the Roosevelt Hotel on December 10, 1941. |
This was not only a difficult time for the nation, but also a difficult time for Carole personally. She had decided to slow down her filming schedule to have a baby and finally start a family, but after she suffered two miscarriages, parenthood seemed to elude the Gables. This caused Carole and Clark a great deal of stress and inevitably put a strain on their marriage. The day prior to Carole's departure to Indianapolis, the couple quarreled over Clark's upcoming work reunion with Lana Turner in Somewhere I'll Find You (1942). The young starlet already had a reputation of being «as easy to conquer as the Maginot Line,» and Carole worried that her husband would give in to Turner's charms. Clark was so furious by Carole's unfounded jealously that he walked out and spent the night elsewhere. In an attempt to patch things up, before leaving for her tour Carole handed her secretary a series of notes she had written for Clark, which were to be given to him at a rate of one a day. In her typical wacky fashion, she also left him a naked blonde dummy in their bed with a tag tied around its neck that said, «So you won't be lonely.» When Clark returned home the next day and found it, he laughed. To even the score, he phoned a friend in the MGM prop department and asked him to prepare a male dummy, with a huge erect phallus, to surprise Carole upon her return home.
 |
| LEFT: Carole Lombard and Clark Gable at the Greek War Relief Benefit. RIGHT: Carole Lombard and Clark circa 1941. |
CHAPTER VI: Why did Ma have to go?
On January 12, 1942, Carole arrived at the Los Angeles Union Station and boarded a train to Indianapolis. She was accompanied by Clark's press agent, Otto Winkler, and her mother, Bessie Peters. Due to their quarrel, Clark was not there to wave his wife goodbye, which left Carole visibly upset. When she arrived in Salt Lake City, she immediately phoned Clark and they in fact patched things up. She called him again from Chicago and, according to her secretary, they sounded like lovebirds.The rally in Indianapolis on January 15 was a triumph. Carole incited so much passion from the crowds that she ended up raising over $2 million for the war effort. The group had been scheduled to return to Los Angeles by train, but Carole was eager to reach home and her husband more quickly and wanted to travel by plane. Winkler agreed to cancel the remainder of the tour, and succeeded in getting them on a TWA flight that left Indianapolis at four in the morning. It had originated from New York and had seven fuel stops scheduled, so it would only arrive at its final destination at Burbank Airport in Los Angeles late that evening.
 |
| Carole Lombard during her war bond rally in Indianapolis, Indiana, on January 15, 1942. |
Meanwhile, in Los Angeles, Clark was impatiently waiting the return of his wife. Before leaving Indianapolis, Winkler had informed him of Carole's change of plans. At about 8:00 p.m., MGM head of publicity Howard Strickling received a call from the Burbank Airport telling him that Carole's plane had gone down in Las Vegas. He then phoned MGM executive Eddie Mannix, who phoned Clark. His call reportedly came just after Clark had told his household staff, «It'll sure be nice having Ma back. Life without her ain't hardly worth living.» Strickling then charted a plane to fly Clark to Las Vegas, and dozens of the Gables' friends and co-workers raced to the scene by car. By the time they got there, rescue operations were already well underway, so all that was left to do was wait. A distraught Clark desperately tried to climb up the mountain with one of the rescue groups, but Mannix talked him out of it and decided to go himself instead. Clark spent the rest of the night in his room at the El Rancho Vegas Hotel. Although Strickling stayed with him, he hardly spoke a word. He just paced around the floor, trembling and smoking one cigarette after another.
Early the following morning, Mannix sent Clark a telegram from a miners' way station near the peak of Mount Potosi. It read, «No survivors. All killed instantly.» Clark crushed the message in his hand and plunked down in a chair, inconsolable and lost. He kept saying, «Why did Ma have to go? Did you ever see anyone more beautiful? There was never a person in the world who was so generous, so full of fun. God damn it, why Ma?»
 |
| LEFT: Rescuers searching the site of the crash. RIGHT: Clark Gable leaving his Las Vegas hotel with Eddie Mannix (left) and his close friend Al Menasco (right). |
By the night of January 20, all the bodies had been brought down from the mountain. Carole's remains were identified only by her blonde hair and a small portion of a diamond-and-ruby clip that Clark had given her for Christmas the previous year. Clark left his hotel room for the first time in three days to choose Carole's casket and make arrangements for the transport of his wife's, her mother's and Winkler's bodies back to Los Angeles.
Carole's death was mourned across the nation. President Franklin D. Roosevelt sent Clark a condolence telegram and later awarded Carole a medal as «the first woman to be killed in action in defense of her country against the Axis Powers.» Many friends and colleagues expressed their shock and sorrow, and «Taps» was sounded around Hollywood in her memory. On January 21, 1942, a service for both Carole and her mother was held in the Church of the Recessional at Forest Lawn Memorial Park in Glendale. Despite the Army being in a favour of a military funeral because of the patriotic nature of her tour, Clark obeyed Carole's wishes, expressed in her will, of a private ceremony with just a few close friends and family. She was interred beside her mother under the name «Carole Lombard Gable.»
Clark was completely devastated by Carole's death. He shut himself from the world, drank heavily and struggled to finish the sadly ironically titled Somewhere I'll Find You. In the weeks that followed the tragedy, he lost 20 pounds and would spend hours roaming around the ranch with Carole's dog following in his trail. He also instructed the household staff to keep everything exactly as it was on the day that Carole left. Prior to his return from Las Vegas, they had decided to spare him grief by disposing of the male dummy that he had planted for Carole as a joke. When the rooms were cleaned, her clothes were put back in the same place, and even a book that she had been reading was left open on a page that she had marked.
 |
| Clark Gable and Carole Lombard's ranch in Encino, San Fernando Valley. |
CHAPTER VIII: Forever and a day
In August 1942, a grief-stricken Clark joined the Army Air Forces. Carole had urged him to sign up several times when the United States entered World War II. After attending training courses in Miami Beach, Florida, he was assigned to the 351st Bombardment Group and sent to England as head of a six-men motion picture unit to film aerial gunners in combat. Commissioned as a Captain, he spent most of 1943 at RAF Polebrook and took part in five combat missions, including one to Germany, as an observer-gunner in a B-17 Flying Fortress. The tiny diamond shard found in the plane wreckage where Carole had died found its way into a piece of jewelry that Clark wore around his neck, along with his dog-tag, at all times.During the raid on Germany, Clark's aircraft came under heavy fire and he was nearly killed by flak that went through his boot and narrowly missed his head. When MGM learned about this, studio executives pressured the Army Air Forces to reassign him to non-combat duty so as not to risk losing their most valuable star. Clark returned to Hollywood in November 1943 and joined the First Motion Picture Unit, whose job it was to produce propaganda and training films.
 |
| (from left to right) Clark aboard a B-17 Flying Fortress (June 1943); Clark in uniform in 1944. |
On January 15, 1944, Clark attended a ceremony to christen the Liberty ship SS Carole Lombard, named for his wife in honor of her extraordinary contribution to the war effort. As Irene Dunne, Carole's close friend, broke the traditional bottle of champagne over the ship's bow, Clark stood at attention, with tears running down his face. He was never the same after the loss of his beloved «Ma.» Although he remarried twice more and found some happiness towards the end of his life, he would forever be haunted by Carole's ghost. Upon his own death, on November 16, 1960, he chose to be interred beside the only woman he had truly, genuinely loved.
About Carole, Clark once said,
About Carole, Clark once said,
«You can trust that little screwball with your life or your hopes or your weaknesses, and she wouldn’t even know how to think about letting you down. She’s more fun than anybody, but she’ll take a poke at you if you have it coming and make you like it. If that adds up to love, then I love her.»
This post is part of my contribution to The Carole Lombard Memorial Blogathon hosted by In The Good Old Days of Classic Hollywood and Carole & Co. To view all entries, click HERE.
_______________________________________
SOURCES:
Barbas, Samantha. The First Lady of Hollywood: A Biography of Louella Parsons. University of California Press, 2006.
Barbas, Samantha. The First Lady of Hollywood: A Biography of Louella Parsons. University of California Press, 2006.
Fleming, E. J. The Fixers: Eddie Mannix, Howard Strickling and the MGM Publicity Machine. McFarland & Company, Inc., 2005.
Gable, Clark. «Vivien Leigh, Rhett Butler and I.» Photoplay, 1940, DearMrGable.com, https://dearmrgable.com/?page_id=3121.
Harris, Warren G. Clark Gable: A Biography. Three Rivers Press, 2002.
Leider, Emily Leider. Myrna Loy: The Only Good Girl in Hollywood. University of California Press, 2011.
Matzen, Robert. Fireball: Carole Lombard and the Mystery of Flight 3. GoodKnight Books, 2017.
Moss, Marilyn Ann. Raoul Walsh: The True Adventures of Hollywood's Legendary Director. The University Press of Kentucky, 2013.
Spicer, Chrystopher J. Clark Gable: Biography, Filmography, Bibliography. McFarland & Company, Inc., 2002.
This comment has been removed by a blog administrator.
ReplyDelete